摘要
本文通过结合勒·柯布西耶的《走向新建筑》、密斯·凡·德·罗的《新建筑》以及阿道夫·卢斯的《装饰与罪恶》,剖析现代主义建筑的近似性与侧重点最初的来源,帮助厘清现代主义逐渐“羽翼丰满”的渐进规律。研究将从对现代的知性、凭借“无知”的理性、理性的嵌套这三个方面展开。
By combining Le Corbusier’s Towards New Architecture, Ludwig Mies van der Rohe’s New Architecture and Adolf Loos’s Decoration and Sin, this paper analyzes the similarity of modernist architecture and the original source of the focus, to help clarify the gradual law of “fulling wings” of modernism. The research will be carried out from three aspects of Verstand to modern knowledge, rationality in “ignorance” and rational nesting.
出处
《艺术研究快报》
2024年第2期83-87,共5页
Art Research Letters