摘要
本文运用罗兰·巴尔特的刺点理论分析《黑镜·全网公敌》,探讨影片中相继出现的刺点如何深入观众内心深处。通过区分恶性刺点与良性刺点,本文解析了这些刺点在文本中的意指,及其对双轴逻辑的影响。本文深入探讨了刺点对影片意义的贡献,为影片创作提供新的思路。
This paper uses Roland Barthes’ “punctum” theory to analyze Black Mirror∙Hated in the Nation, and discusses how the punctum appear in the film go deep into the audience’s heart. By distinguishing between malignant and benign punctums, this paper analyzes the meaning of these punctums in the text and their influence on biaxial logic. This paper deeply discusses the contribution of the punctum to the meaning of the film and provides a new idea for the film creation.
出处
《艺术研究快报》
2024年第3期132-137,共6页
Art Research Letters
