风格、生产与互动:中国青年亚文化的嬗变——对伯明翰理论的再审视

Style, Production and Interaction: The Evolution of Chinese Youth Subculture—A Re-Examination of the Theory of Birmingham

如今,中国青年亚文化呈现出具有独具特色的亚文化特征。具体而言,从表现形式上看,仪式抵抗的风格逐渐被弱化甚至消解,追求快感的娱乐化风格占据上风。从生产机制上看,世代阐释模式和阶级结构模式不能完全解释中国青年亚文化,基于场景的空间生产实践则是一个可能的维度。从互动方式上看,基于个人的身份建构和群体认同而维系的区隔化社群正在解体,趣缘和情感成为维系松散“新部落”的纽带;流动的“游牧民”在分享、协作和“大事件”的集体围观等互动方式中,积极参与并建构着亚文化共同体的想象性认同。

Nowadays, the Chinese youth subculture presents its unique subculture characteristics. To be specific, from the expression form, the style of ritual resistance is gradually weakened or even dissolved, and the recreational style that pursues pleasure gains the upper hand. From the perspective of production mechanism, generation interpretation mode and class structure mode cannot fully explain Chinese youth subculture, while scene-based spatial production practice is a possible dimension. From the perspective of interaction mode, the compartmentalized community based on individual identity construction and group identity is disintegrating, and interest and emotion become the bond to maintain the loose “new tribe”. Mobile “nomads” actively participate in the construction of the imaginary identity of the subcultural community in such interactive ways as sharing, cooperation and collective observation of “big events”.