性别,话语,身份政治:《喜宴》的性别角色构建研究

Gender, Discourse, Identity Politics: The Construction of Gender Roles in The Wedding Banquet

女性主义旨在探讨性别不平等的根源,并力图消除不对等的权力结构,助女性摆脱“第二性”的边缘身份。李安的作品在华语圈和英语世界都有极高的商业价值和艺术成就,也是文化研究的极佳文本。早期的“父亲三部曲”更是从细微平实之处,将性别议题、身份认同困境探讨得淋漓尽致。本文将结合文献研究法与文本分析法,从《喜宴》入手,探讨女性主义视角下影片角色的构建,将性别议题放入文化、身份认同、权力结构的语境中。

Feminism aims at exploring the reasons behind gender inequality and trying to eliminate unequal power structures to help women get rid of the marginal identity of “the second sex”. Ang Lee’s films are of great commercial value and artistic achievement in both the Chinese-speaking and English-speaking world, and are great texts for cultural studies. In the “Father Trilogy”, gender issues and the dilemma of identity are discussed incisively and vividly from a subtle point of view. This paper will combine literature research and text analysis, starting from The Wedding Banquet, discuss the construction of characters from the feminist perspective, and put gender issues into the context of culture, identity and power structure.