楚国漆器工艺与新时代应用研究

Chu Lacquer Ware Technology and Its Application in the New Era

楚文化即中国春秋时期南方诸侯国楚国的物质文化和精神文化的总称,它既保留了中原姬周文明的特色,又吸纳了南方少数民族文化,呈现出兼容并包、兼收并蓄的发展态势。漆器,是楚文化的重要载体之一,在楚文化中起着代表性的作用。以楚国漆木器工艺与新时代的应用研究,来探寻整个楚文化的过去、现在、未来应该是恰当的,这便是本文的目的。本文拟通过对漆木器概念,起源以及考古发现来构建对漆木器的基本认识,通过对楚国漆木器的发展来理清其现在价值体系形成的脉络,通过对其具体工艺的分析探寻其包容性,最后探求新时代楚国漆木器的应用和发展。

Chu culture is the general name of material culture and spiritual culture of Chu state in southern China during the spring and autumn period. It not only retains the characteristics of Jizhou civili-zation in the Central Plains, but also absorbs the culture of southern ethnic minorities, showing an inclusive and inclusive development trend. Lacquer ware, one of the important carriers of Chu culture, plays a representative role in Chu culture. The purpose of this paper is to explore the past, present and future of Chu culture through the application research of lacquer wood crafts and new era. This paper intends to build a basic understanding of lacquer wood through the concept, origin and archaeological discovery of lacquer wood ware. Through the development of lacquer wood ware in Chu state, it clarifies the context of its current value system, explores its inclusiveness through the analysis of its specific technology, and finally explores the application and development of lacquer wood in the new era.