摘要
随着现代社会的快速发展,传统的蜡染非遗文化因地域性、民族性等多种因素,导致其传承面临困境,传统的非遗发展模式早已和时代发展格格不入,非遗文化如果不能在时代发展中焕发出新的生机与活力,那么终将会被时代所摒弃,被遗忘在历史的长河中。四川叙永县苗族蜡染非遗传承人杨安平深感蜡染技艺发展的艰难,他通过探索“非遗+ N”等多种发展模式,为苗族蜡染注入新的血液。
With the rapid development of modern society, the traditional batik intangible cultural heritage culture is facing difficulties due to various factors such as regionality and nationality, and the traditional intangible cultural heritage development model has long been incompatible with the development of the times. Yang Anping, the intangible inheritor of Miao batik in Xuyong County, Sichuan, deeply felt the difficulty of the development of batik skills, and he injected new blood into Miao batik by exploring various development models such as “intangible cultural heritage+N”.
出处
《社会科学前沿》
2024年第4期26-31,共6页
Advances in Social Sciences