从“情本体”的视野看《关雎》之德

On the Virtue of Guan Ju from the Perspective of “Ontology of Emotion”

《关雎》作为《诗经》中的名篇,其间蕴涵着中国古典文学史上的重要的思想命题与文化内容。基于《关雎》本身的多义性和普世性,历朝历代的经学家和批评家都从自己的时代出发,给予了《关雎》不同层面和维度上的诠释。而李泽厚的“情本体”理论,将从一个更具有现代性关怀的视野,回顾《关雎》中君子情欲性的“爱”,逐渐在恋情酝酿之中上升为对待性的“礼”,然后在文本内外之间跃升为宇宙论化的“理”,最后又回归自然本性的“情”的全过程,探索阐发《关雎》之德的崭新路径。

As one of the most famous works inThe Book of Poetry, Guan Ju contains important ideological propositions andcultural content in the history of Chinese classical literature. Based on themeaningfulness and universality of Guan Ju itself,scholars and critics who lived in different eras interpreted Guan Jufrom different aspects and angles of their own times. And about Li Zehou’stheory, the “Ontology of Emotion”, will pay more attention to the modernempathy view, reviewing the typical love ofJun Zi from the perspective of the desire of love, with the graduallydeveloping of the relate, it finallyacts as etiquette when treating “Xing”. And then upgrade become the “axiomatic” of cosmology from both inside and outside of thetext. Lastly, it returns to the natural “love”. Above all, the wholeprocess is a new way to expound on the virtue of Guan Ju.