非遗传承视野下雷州乌石“蜈蚣舞”的艺术价值

The Artistic Value of “Centipede Dance” in Leizhou Wushi from the Perspective of Non-Generic Heritage

当今时代的飞速发展,使得很多的艺术门类得到了更好地传播,例如一些实体器具文化具象型文物符号的挖掘和保护,但却很少对文化“动态传承”非遗乡土文化的保护。那么我国的许多地区的非遗传统舞蹈正是处于此“中间地带”,其原生态的艺术形式面临着生存挑战,本文以广东省雷州市乌石港的“蜈蚣舞”为主要分析对象。了解其历史文化以及在当今社会能给我们从事艺术工作者所带来的艺术价值与思考。通过分析乌石“蜈蚣舞”的古往今来,让我们更好地了解其历史的传承性和时代的创新性。塑造出既不丢失其“原始风味”,又可以催生属于现代人的符号语言,让非遗舞蹈不仅仅存在人们的想象里,而是从“想象”走向“现实”。

The rapid development of today’s time has made many art categories to be better disseminated, such as the excavation and protec-tion of some physical apparatus culture figurative cultural relics symbols, but little protection of cultural “dynamic heritage” non-heritage vernacular culture. This paper takes the “Centipede Dance” of Wushi Port in Leizhou City, Guangdong Province as the main object of analysis. Through the analysis of Wushi’s “Centipede Dance” in the past and the present, we can better understand its historical inheritance and innovation of the times. We will shape a symbolic language that does not lose its “original flavor” but can also give rise to modern people, so that the non-heritage dance does not only exist in people’s imagination, but moves from “imagination” to “reality”.