摘要
元宇宙音乐嘉年华代表了音乐、科技和虚拟现实等领域的深度融合,为数字文化创新发展开辟了崭新的方向。本文以元宇宙音乐嘉年华参与者为研究对象,基于兰德尔•柯林斯的互动仪式链理论,从群体聚集、排斥外部参与者、关注焦点共同体和情感共享四个方面系统地探讨了元宇宙音乐嘉年华的互动仪式要素。通过深入研究元宇宙音乐嘉年华的互动仪式过程,我们得以揭示其中蕴含的社交互动、虚拟体验和音乐传播之间错综复杂的关系。然而,作为一种新兴演出模式,元宇宙音乐嘉年华仍存在一些问题,例如反馈机制不完善、应援氛围缺失等,这些问题值得我们深入反思。
The Meta universe music carnival represents the deep integration of music, technology, virtual reality and other fields, opening up a new direction for the innovative development of digital culture. Based on the interactive ritual chain theory of Randall Collins, this paper systematically discusses the interactive ritual elements of the meta-cosmic music carnival from four aspects: Group gathering, exclusion of external participants, focus community and emotional sharing. Through in-depth study of the interactive ritual process of the meta-cosmic music carnival, we can reveal the intricate relationship between social interaction, virtual experience and music transmission. However, as a new performance mode, meta-universe music carnival still has some problems, such as imperfect feedback mechanism, lack of support atmosphere, etc. These problems are worthy of deep reflection.
出处
《新闻传播科学》
2024年第1期186-192,共7页
Journalism and Communications
