译者主体性视域下的林少华日本文学翻译研究——以渡边淳一小说《失乐园》为例

A Study of Lin Shaohua’s Japanese Literature Translation—Take Watanabe Junichi’s Novel A Lost Paradise as an Example

林少华是我国著名日本文学翻译家,尤以翻译村上春树作品为广大读者熟知。林少华译文,文白相间,清新脱俗,呈现出独特的文学韵味。本文以林少华近年新译的《失乐园》为研究对象,从林少华的人生经历、意识形态、翻译习惯等方面,通过分析林少华的翻译策略,考察译者在翻译中如何发挥其主体性作用。总结出林少华在《失乐园》的翻译中有“语言简练、行文轻快”、“文白交杂”、“四字词多用”、“对话中人称主语省略”等诸多翻译特征,此外,本文还分析了误译、不自然的翻译,及其背后的译者主体性因素。

Lin Shaohua is a famous Japanese literary translator, especially for the translation of Murakami Haruki’s literary works. Lin Shaohua’s translation, which integrates ancient and modern Chinese, is fresh and refined, and presents a unique literary charm. Based on Lin Shaohua’s newly trans-lated novel—A Lost Paradise, this paper analyzes Lin Shaohua’s translation strategies from the aspects of his life experience, ideology, translation habits, etc., and explores how the translators exert their subjectivity in translation. It is concluded that Lin Shaohua’s translation of A Lost Paradise includes many translation features, such as “simplified, light and influent language”, “combination of ancient and modern Chinese”, “multiple use of four-character phrases”, “omission of personal subject in dialogues”, etc. In addition, this paper also analyzes mistranslations, unnatural translations and the translator’s subjective factors behind them.