多模态翻译视角下的梁祝传说研究

A Multimodal Translation Study of the Folklore of Liangzhu

作为中国四大民间传说之一,梁祝传说是颇具魅力和影响力的口头传承艺术和国家级非物质文化遗产,已经发展出包括戏剧、音乐、舞蹈、影视、绘本、漫画和网络游戏在内的多种艺术形式,并在国内外不断传播发展。本研究以多模态翻译理论为研究视角,结合梁祝传说的四种故事类型,主要从模态内翻译和模态间翻译两个方面对该传说的多模态翻译文本进行梳理总结,并以电影《梁山伯与祝英台》为例,对其字幕翻译进行多模态话语分析,在丰富多模态翻译研究案例的同时,以期为提升中国文化对外传播能力提供有益借鉴。

The folklore of Liangzhu, one of China’s four major folk stories, is a fascinating and influential oral art listed among the national intangible cultural heritage that has evolved into such various artistic forms as opera, music, dance, film and television series, picture book, comic and online game which help it to grow and spread at home and abroad. This paper attempts to collect its multimodal texts mainly in terms of intramodal translation and intermodal translation based on its four tale types from the perspective of the multimodal translation theory plus a multimodal discourse analysis of The Love Eterne as an example in hopes of providing some reference for the overseas publicity of Chinese culture while offering a trial concerning how to apply the multimodal translation theory.