董仲舒《春秋繁露》里的“龙文化”探析

An Analysis of the “Dragon Culture” in Dong Zhongshu’s Spring and Autumn Flourishing Dews

《春秋繁露》是中国儒家伦理玄学观的一部主要作品,它是董仲舒的一部伟大作品。它是董仲舒对孔孟学派的反映与世代诸家思想的汇合与融会。其中的“龙”文化在董仲舒思想系统中具有举足轻重的作用,它体现了人与天之间的沟通。它把龙上升到历史哲学理论高度,以“天人感应”为核心原理,把“人文”与“天象”联系起来;将龙作为一种超自然力量,认为它是“天命之所归”;把龙作为一个图腾崇拜物,以神和人之间的相互关系来解释。同时利用古人对“龙”信仰里面的相关含义来探析古代“龙”文化思想的变迁。

The Spring and Autumn Flourishing Dews is a major work of Chinese Confucian ethical metaphysics, which is a great work of Dong Zhongshu. It is Dong Zhongshu’s reflection of the Confucius and Mencius School and the convergence and integration of the thoughts of various schools of thought from generation to generation. The “dragon” culture plays an important role in Dong Zhongshu’s ideological system, which reflects the communication between man and heaven. It raises the dragon to the height of historical philosophy theory, takes “heaven and man induction” as the core principle, and links “humanity” with “celestial phenomena”. As a supernatural force, the dragon is regarded as “the destiny of heaven”. The dragon is regarded as a totem worship, which is explained by the rela-tionship between God and man. At the same time, we use the relevant meaning of ancient people’s belief in “dragon” to analyze the changes of ancient “dragon” cultural thought.