摘要
段宝林的民间文学“立体性特征”、钟敬文的“民间文化”和“三层文化”等理论的提出,曾掀起20世纪80年代关于民间文学的讨论和兴味;然而,随着西方“口头程式理论”、“表演理论”等理论和方法的引入,中国民间文学研究中的困惑与争议也与日俱增。当代民间文学研究欲实现理论的突破,重新审视、发现立体性研究中所蕴涵的丰富的理论生机,是一种重要的尝试。
Duan-Baolin’s theory of “three-dimensional feature”, Zhong-Jingwen’s “folk culture” and “the three-layer culture” have been put forward, which have raised the discussion and interest of folk literature in the 1980s. However, with the introduction of the theory and method of “oral program theory” and “theory of performance”, the confusion and controversy in the study of Chinese folk literature are increasing day by day. How to realize the breakthrough of the theory in the study of contemporary folk literature? It is an important attempt to re-examine and discover the rich theoretical vitality contained in the “three-dimensional feature”.
出处
《世界文学研究》
2021年第2期75-79,共5页
World Literature Studies
