从《中国色彩》窥村松梢风之中国观——游离于意识形态与乌托邦之间

On the Views of Shaofu Muramatsu to China from The Chinese Color—Wandering between the Ideological Observation and Utopian Imagination

村松梢风于20世纪初为积累写作素材开始了他的中国之行,其最初的所见所闻所感以游记的形式在《中国色彩》一书中尽显风采,相比“一九三二年一•二八上海事变”之后狂热支持日本在华实施海外扩张战略的态度,村松来华初期的作品中所体现出的对中国的态度整体来说是呈现一种积极褒扬的情感态度的。然而,这样一篇极富“中国情调”的人文景观、复杂多样的国民性质、以及独具地域特色的自然景观的游记里,不免掺杂村松当时对中国文化与人文景观的主观意识形态与乌托邦式的“想象”。

Shaofu Muramatsu recorded his seeing and feeling about China in his travel note, The Chinese Color, after his journey to China at the beginning of the 20th century. Generally speaking, at that time, Muramatsu held a kind of positive and optimistic attitude toward China. However, within his note—that he pictured cultural landscapes with Chinese characteristics, people’s characters and distinctive natural scenes—it was inevitable that Maramatsu mixed his ideological image and Utopian imaginations to Chinese culture and cultural landscape.