弹词《倭袍传》的流传与诸文本

The Dissemination of the Narrative Chant Wopaozhuan and Its Various Texts

本文通过整理有关《倭袍传》的杂记书目类，理清了诸文本的流传途径，再依据早稻田大学图书馆藏木活字本弹词《倭袍传》的藏书印、札记，追溯了这一特定版本的流通足迹。阐明了《倭袍传》刊行成书後，虽屡遭禁书禁演，但因改题换版反而更呈多样的传播状况，辗转於各地的藏书家之手。俗文学是如何经禁书和流行的曲折进退而相传不息的，《倭袍传》恰可作爲一例。

This article clarifies how the narrative chant (tanci) Wopaozhuan has been disseminated through various texts, by reviewing relevant miscellanea and bibliographies. I investigate one particular edition of Wopaozhuan printed in wooden movable-type, owned by Waseda University Library, by analyzing its ownership stamps and commentaries. Despite being repeatedly prohibited from being re-published or staged since its first publication, Wopaozhuan survived all perils by being frequently renamed and revised. This has resulted in wide variation and dissemination in the hands of collectors. Wopaozhuan gives us an excellent example to understand how popular literary works, under official prohibition and popular acceptance, have been propagated to the present time.