摘要
扬州杖头木偶、闽南地区的泉州提线木偶与漳州布袋木偶,有着悠久的历史溯源、精巧的制作工艺、迥异的造型特色、典型的艺术特征和独特的文化内涵,被列为国家级非物质文化遗产,扬州杖头木偶作为传统木偶的惟一典型,被收录在《中国木偶艺术》纪录片中。因其在近现代所体现出的较高的艺术造诣,比较其造型等多方面的异同性,对研究当代民间木偶艺术的创新发展具有指导意义。
Yangzhou rod puppet,Southern Fujian of Quanzhou marionette puppet and Zhangzhou hand puppet,which had a long history and exquisite craftsmanship,different modeling characteristics,typical artistic features and unique cultural connotations,were listed as national intangible cultural heritage.As the only representative of traditional puppet three schools,they were included in the 'Chinese Puppet Art' documentary.They showed a high level of artistic attainments in the near modern times,and compared with the similarities and differences of the shape and other aspects,it had guiding significance to study the innovation and development of contemporary folk puppet art.
出处
《新疆艺术学院学报》
2016年第4期-,共9页
Journal of Xinjiang Arts University
基金
江苏省高校哲学社会科学研究基金项目(2016SJD760127)
"非物质文化遗产中民间木偶艺术的创新发展研究--以扬州
闽南木偶为重点"
第三期江苏省职业教育教学改革研究课题(ZYB214)
"高师学前专业教玩具设计教学对民间艺术的传承与创新研究"的阶段性成果
关键词
扬州木偶
闽南木偶
造型特色
艺术特征
文化内涵
Yangzhou puppet
Southern Fujian puppet
Modeling characteristics
Artistic features
Cultural connotations