This research uses a theoretical conceptual method based on Chantal Mouffe＇s Radical Democracy which blended with Derrida＇s deconstruction thesis about ＂democracy to come＂ to reach findings on the state of South A...This research uses a theoretical conceptual method based on Chantal Mouffe＇s Radical Democracy which blended with Derrida＇s deconstruction thesis about ＂democracy to come＂ to reach findings on the state of South Africa＇s media freedom landscape. The method is contained in the conceptual framework. The article provides the constitutional legal landscape--or the overarching laws of the land--and the co-regulatory framework within which journalists work. There are four research explications： the Protection of State Information Bill （dubbed the Secrecy Bill）, a painting of the president and Freedom of Expression, an arson attack on a community radio station and finally, the death of a photojournalist at the hands of police. The argument here is that the death, the arson attack, the Secrecy Bill, and the shut-down of dissent during the exhibition of the painting of the president all undermine democracy and signify significant closures for the media in the now 20-year-old post-apartheid South Africa. The analysis and reflections will be framed within theories of radical democracy, which argue for more fights and contestations and more voices from the margins in order to deepen democracy, rather than rational consensus which closes the spaces for greater plurality.展开更多
This research seeks to add to the body of scholarship on the history of cosmetic surgery and American journalism and is guided by the following two-part research questions： How did newspapers and magazines frame plas...This research seeks to add to the body of scholarship on the history of cosmetic surgery and American journalism and is guided by the following two-part research questions： How did newspapers and magazines frame plastic surgery between 1914 and 1950 and did the frames vary by year or did they recur throughout the time period studied？ The purpose here is not to argue that the press had a direct effect on the way beauty was defined within the cultural landscape of the early 20th century, but to examine the way plastic surgery＇s frame in the popular press shifted from reconstructing war-maimed soldiers to beautifying ordinary citizens.展开更多
American campaigning has become increasingly complex as it adjusts to our ever-changing cultural landscape. The use of electronic media in the presidential campaigns of 1960 and 2008 is illustrative of this shift. A c...American campaigning has become increasingly complex as it adjusts to our ever-changing cultural landscape. The use of electronic media in the presidential campaigns of 1960 and 2008 is illustrative of this shift. A content analysis of these two campaigns demonstrates how each applied the newest technologies available at the time to define the candidate＇s image and export the messages to the electorate. Whether it be Kennedy＇s use of television or Obama＇s usage of social media, the role that new media of the day played in both campaigns clearly set the tone for future political campaigns. This examination of the role of media in both elections serves to form a primer for how the successful applications of new media lead to campaign victory. Then and now, the growing influence of new technologies on campaigning makes it necessary to compare and contrast the successful usages and strategies employed. The need for continuing analysis will grow in the coming years.展开更多
文摘This research uses a theoretical conceptual method based on Chantal Mouffe＇s Radical Democracy which blended with Derrida＇s deconstruction thesis about ＂democracy to come＂ to reach findings on the state of South Africa＇s media freedom landscape. The method is contained in the conceptual framework. The article provides the constitutional legal landscape--or the overarching laws of the land--and the co-regulatory framework within which journalists work. There are four research explications： the Protection of State Information Bill （dubbed the Secrecy Bill）, a painting of the president and Freedom of Expression, an arson attack on a community radio station and finally, the death of a photojournalist at the hands of police. The argument here is that the death, the arson attack, the Secrecy Bill, and the shut-down of dissent during the exhibition of the painting of the president all undermine democracy and signify significant closures for the media in the now 20-year-old post-apartheid South Africa. The analysis and reflections will be framed within theories of radical democracy, which argue for more fights and contestations and more voices from the margins in order to deepen democracy, rather than rational consensus which closes the spaces for greater plurality.
文摘This research seeks to add to the body of scholarship on the history of cosmetic surgery and American journalism and is guided by the following two-part research questions： How did newspapers and magazines frame plastic surgery between 1914 and 1950 and did the frames vary by year or did they recur throughout the time period studied？ The purpose here is not to argue that the press had a direct effect on the way beauty was defined within the cultural landscape of the early 20th century, but to examine the way plastic surgery＇s frame in the popular press shifted from reconstructing war-maimed soldiers to beautifying ordinary citizens.
文摘American campaigning has become increasingly complex as it adjusts to our ever-changing cultural landscape. The use of electronic media in the presidential campaigns of 1960 and 2008 is illustrative of this shift. A content analysis of these two campaigns demonstrates how each applied the newest technologies available at the time to define the candidate＇s image and export the messages to the electorate. Whether it be Kennedy＇s use of television or Obama＇s usage of social media, the role that new media of the day played in both campaigns clearly set the tone for future political campaigns. This examination of the role of media in both elections serves to form a primer for how the successful applications of new media lead to campaign victory. Then and now, the growing influence of new technologies on campaigning makes it necessary to compare and contrast the successful usages and strategies employed. The need for continuing analysis will grow in the coming years.
