《疯狂的心灵》Wild at Heart 尽管东欧电影轰动了本届戛纳电影节,但最后还是《疯狂的心灵》(又译《内心的荒芜》)这部风格奇异的梦幻片压倒了苏联、波兰等国的现实戏剧片。不过对《疯》的评价是毁誉参半的。难怪该片导演大卫·林...《疯狂的心灵》Wild at Heart 尽管东欧电影轰动了本届戛纳电影节,但最后还是《疯狂的心灵》(又译《内心的荒芜》)这部风格奇异的梦幻片压倒了苏联、波兰等国的现实戏剧片。不过对《疯》的评价是毁誉参半的。难怪该片导演大卫·林奇上台领奖时,狂热的欢呼和愤怒的嘘声汇成一片。而他天真地笑了笑说:“我想来戛纳已经想了20年。这一次真的没想到美梦成真。”《疯》片根据巴里·吉福德的“黑色小说”改编,展开更多
＂Verbatim＂ is a kind of documentary theatre in which drama is made from the precise words spoken by people in evidence, witnessing or remembering. Raising political issues and controversial topics, My Name Is Rachel...＂Verbatim＂ is a kind of documentary theatre in which drama is made from the precise words spoken by people in evidence, witnessing or remembering. Raising political issues and controversial topics, My Name Is Rachel Corrie （2005） is not just a moving play about violence in the Palestinian conflict. It is the real story of the murder of an American activist＇s fighting to denounce the genocide of innocent people. The problems of censorship that the play suffered in his premiere in New York remark the voice of a controversial play in Broadway＇s world. This paper will examine the images of violence present in the play and the value of the speaker as a real witness展开更多
文摘《疯狂的心灵》Wild at Heart 尽管东欧电影轰动了本届戛纳电影节,但最后还是《疯狂的心灵》(又译《内心的荒芜》)这部风格奇异的梦幻片压倒了苏联、波兰等国的现实戏剧片。不过对《疯》的评价是毁誉参半的。难怪该片导演大卫·林奇上台领奖时,狂热的欢呼和愤怒的嘘声汇成一片。而他天真地笑了笑说:“我想来戛纳已经想了20年。这一次真的没想到美梦成真。”《疯》片根据巴里·吉福德的“黑色小说”改编,
文摘＂Verbatim＂ is a kind of documentary theatre in which drama is made from the precise words spoken by people in evidence, witnessing or remembering. Raising political issues and controversial topics, My Name Is Rachel Corrie （2005） is not just a moving play about violence in the Palestinian conflict. It is the real story of the murder of an American activist＇s fighting to denounce the genocide of innocent people. The problems of censorship that the play suffered in his premiere in New York remark the voice of a controversial play in Broadway＇s world. This paper will examine the images of violence present in the play and the value of the speaker as a real witness
