In an era of scene-based consumption,the essence of operating a bookstore lies in accepting and enabling the bookstore to play its role as a cultural medium for browsing and appreciating books,which in turn fosters th...In an era of scene-based consumption,the essence of operating a bookstore lies in accepting and enabling the bookstore to play its role as a cultural medium for browsing and appreciating books,which in turn fosters the development of a distinctive bookstore culture.This new type of consumption context has led to an evolution in the book-reading culture in physical bookstores that is characterized by a shift from a paradigm of passive reading to one where the emphasis is on interactive viewing.This transition has laid the foundation for the creation of cultural atmospheres in bookstores,and it highlights the visual interactions that now exist between readers and books as well as with other related cultural industries.The dominant and fundamental logic behind this process is symbiosis,experience,aesthetics,immersion,and creativity.However,when a form of culture that focuses on consumption-oriented browsing begins to overshadow knowledge acquisition during the process of book reading,the cultural essence of bookstores is likely to be diminished.Therefore,the cultural essence within the scene-based consumption context should be enhanced by creating innovative viewing activities that showcase the cultural and emotional implications inherent in the scene itself,and thus help to align the identity of the bookstore with its in-situ cultural space.展开更多
In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary critici...In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary criticism in We Media focus on fostering a fair relationship between criticism activities and text,society,and the audience in order to facilitate healthy and orderly criticism that yields positive outcomes.The ethics of literary criticism in We Media can be categorized into aesthetic ethics,cultural ethics,political ethics,and media ethics within its internal structure,all of which ultimately converge into the realm of art production ethics.It is important to embrace a consciousness of intersubjectivity and adopt a cognitive approach of situationism in order to avoid blind restrictions and misjudgments in order to foster a positive and healthy ecosystem for literary criticism in We Media.Additionally,it is crucial to adhere to bottom-line thinking and emphasize responsibility,taste,and discipline while regulating the field of criticism,the audience,and critical text.展开更多
Technology is one of the basic dimensions of literary criticism,but it is often ignored for multiple reasons.As digital technology intervenes in literary production,literary criticism is being approached through the t...Technology is one of the basic dimensions of literary criticism,but it is often ignored for multiple reasons.As digital technology intervenes in literary production,literary criticism is being approached through the technological dimension.Technology-Based literary criticism now transcends linguistic centrism,using digital technology as a means and method of literary criticism,and bringing technology to the center stage of literary criticism.Technology-Based literary criticism,which features an intersection of interpretive and empirical perspectives,triggers multiple transmutations of the subjects of literary criticism,and also enriches the connotations of literary texts.Tech criticism came from,and has evolved with the changes of literary criticism in the productive forces and the relations of production,which are driven by digital technology.What digital technology has opened up for literary criticism is a comprehensive field,where literary criticism is in a transboundary dynamic of "relational production." Therefore,we need to develop a sense of relation and a sense of systems to better interpret present-day literary criticism.展开更多
基金supported by the Zhijiang Youth Special Project entitled“Cross-Cultural Examination of National Identity and Discourse Formation in Chinese Short Video Content” (Project No.:24ZJQN026Y)a philosophy and social sciences project funded by Zhejiang province。
文摘In an era of scene-based consumption,the essence of operating a bookstore lies in accepting and enabling the bookstore to play its role as a cultural medium for browsing and appreciating books,which in turn fosters the development of a distinctive bookstore culture.This new type of consumption context has led to an evolution in the book-reading culture in physical bookstores that is characterized by a shift from a paradigm of passive reading to one where the emphasis is on interactive viewing.This transition has laid the foundation for the creation of cultural atmospheres in bookstores,and it highlights the visual interactions that now exist between readers and books as well as with other related cultural industries.The dominant and fundamental logic behind this process is symbiosis,experience,aesthetics,immersion,and creativity.However,when a form of culture that focuses on consumption-oriented browsing begins to overshadow knowledge acquisition during the process of book reading,the cultural essence of bookstores is likely to be diminished.Therefore,the cultural essence within the scene-based consumption context should be enhanced by creating innovative viewing activities that showcase the cultural and emotional implications inherent in the scene itself,and thus help to align the identity of the bookstore with its in-situ cultural space.
基金The study was supported by the Youth Project of the National Social Science Foundation of China entitled“Research on the‘Rural Narrative’of Contemporary Chinese Short Video Culture”(21CZW011).
文摘In the realm of We Media,literary criticism is not completely free and unrestricted during its continuous production process;instead,it should adhere to certain ethical norms.The ethical dimensions of literary criticism in We Media focus on fostering a fair relationship between criticism activities and text,society,and the audience in order to facilitate healthy and orderly criticism that yields positive outcomes.The ethics of literary criticism in We Media can be categorized into aesthetic ethics,cultural ethics,political ethics,and media ethics within its internal structure,all of which ultimately converge into the realm of art production ethics.It is important to embrace a consciousness of intersubjectivity and adopt a cognitive approach of situationism in order to avoid blind restrictions and misjudgments in order to foster a positive and healthy ecosystem for literary criticism in We Media.Additionally,it is crucial to adhere to bottom-line thinking and emphasize responsibility,taste,and discipline while regulating the field of criticism,the audience,and critical text.
基金a staged research result of “Digital Technology and the Paradigm Shift of Contemporary Chinese Literary and Art Criticism”(M21JC059)a program funded by Hangzhou Municipal Plan for Philosophy and Social Sciences。
文摘Technology is one of the basic dimensions of literary criticism,but it is often ignored for multiple reasons.As digital technology intervenes in literary production,literary criticism is being approached through the technological dimension.Technology-Based literary criticism now transcends linguistic centrism,using digital technology as a means and method of literary criticism,and bringing technology to the center stage of literary criticism.Technology-Based literary criticism,which features an intersection of interpretive and empirical perspectives,triggers multiple transmutations of the subjects of literary criticism,and also enriches the connotations of literary texts.Tech criticism came from,and has evolved with the changes of literary criticism in the productive forces and the relations of production,which are driven by digital technology.What digital technology has opened up for literary criticism is a comprehensive field,where literary criticism is in a transboundary dynamic of "relational production." Therefore,we need to develop a sense of relation and a sense of systems to better interpret present-day literary criticism.
