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身份危机与道德困境——解读麦克尤恩的《阿姆斯特丹》
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作者 罗媛 《英美文学研究论丛》 2023年第1期234-245,共12页
本文借助后现代理论家齐格蒙特·鲍曼有关后现代道德的理论,探讨英国当代作家伊恩·麦可尤恩的小说《阿姆斯特丹》里主人公遭遇的中年身份危机和道德困境问题。无论是从事高雅艺术的作曲家克莱夫还是大众通俗报业传媒人弗农,都... 本文借助后现代理论家齐格蒙特·鲍曼有关后现代道德的理论,探讨英国当代作家伊恩·麦可尤恩的小说《阿姆斯特丹》里主人公遭遇的中年身份危机和道德困境问题。无论是从事高雅艺术的作曲家克莱夫还是大众通俗报业传媒人弗农,都遭遇了中年身份危机——外在社会“角色”自我和内在真我之间存有强烈冲突。他们在体验对死亡和疾病的恐惧后,并没有发展出有力量的内在真我,没有抱持肯定人性尊严、滋养内在真我的价值取向;在面临后现代道德困境做出选择时,他们始终摆脱不了“角色”自我追逐名利的价值取向;在社会道德退化的大环境下,克莱夫和费农沦为社会黑色讽刺剧的棋子,这对好友最终反目为仇,谋杀了对方。小说辛辣地讽刺了后现代时期“文明生存的本质”。 展开更多
关键词 《阿姆斯特丹》 身份危机 “角色”自我 内在真我 道德困境
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The Fragmentation of the Female Selfhood in The Flight From the Enchanter 被引量:2
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作者 XU Ming-ying SUI Xiao-di AN Xue-hua 《Journal of Literature and Art Studies》 2014年第5期325-337,共13页
Iris Murdoch is a renowned female novelist and philosopher in the 20th century English literature. In her literary creation, she has a preference for male narration and holds a reserved attitude to women's movements ... Iris Murdoch is a renowned female novelist and philosopher in the 20th century English literature. In her literary creation, she has a preference for male narration and holds a reserved attitude to women's movements with reluctance to be considered as a feminist writer, which permits her realistic depiction of female characters and dispassionate thought on women's problems. This paper, with the interpretation and redefinition of the concepts as consciousness, identity, and self in Murdoch's philosophy, analyzes the fragmented self of three female figures in The Flight from the Enchanter (1956) respectively from the perspectives of self-consciousness, identity, and self and reveals that the fragmentation of female selfhood is mainly due to the overwhelming male dominance in the gender relationship. 展开更多
关键词 Iris Murdoch IDENTITY female selfhood FRAGMENTATION
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