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从《中国影戏》看我国早期电影业的分布和发展
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作者 王继庆 《艺术研究(哈尔滨师范大学艺术学报)》 2024年第2期4-8,共5页
20世纪30年代初,我国电影业进入有声电影起步期,大城市进口的外国片渐以美国片为主流。美国通过对华电影出口获利颇丰,但面临国产影片和其它外国片的竞争。美国商务部驻沪代表等参与中国电影娱乐业调查,其发表的《中国影戏》补充了我国... 20世纪30年代初,我国电影业进入有声电影起步期,大城市进口的外国片渐以美国片为主流。美国通过对华电影出口获利颇丰,但面临国产影片和其它外国片的竞争。美国商务部驻沪代表等参与中国电影娱乐业调查,其发表的《中国影戏》补充了我国电影业发展史史料的一些空白,揭示出当时中国电影制作、发行、放映的城市分布情况,以及电影审查和娱乐业税种等诸多面向。 展开更多
关键词 电影 电影业态 《中国影戏》 城市电影产业
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Comparative Study of Chinese and foreign independent films
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作者 Xiangyang Zheng 《International Journal of Technology Management》 2013年第4期111-113,共3页
The concept of "Independent film" comes from the middle of last century's in Hollywood. Hollywood at that time, because of the monopolization of the so-called "eight movie companies", the shooting and operation o... The concept of "Independent film" comes from the middle of last century's in Hollywood. Hollywood at that time, because of the monopolization of the so-called "eight movie companies", the shooting and operation of a film followed rigorous steps of "producer system." The target of the "producer system" entirely aimed at the market in order to get the maximum profits; therefore, although this system brought a lot of money to the film industry, it also limited the filmmakers' play space. Thus, a group of filmmakers got rid of the eight movie companies' control and made self-financing, or even wrote and direct red by themselves, they shot a lot of strong ideological films which were different with commercial films, known as the" Independent Film ". 展开更多
关键词 comparative study independent films film companies.
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