《诗经》是我国传统诗歌典型代表,蕴含中国古代各地域特色。其英译本得以在海外传播广泛,许渊冲先生的中国古诗英译研究功不可没。齐鲁农耕文化根植于齐鲁地区悠久的农耕经验和乡土气息,集中体现在《诗经》齐风、鲁颂两篇中。本文以许...《诗经》是我国传统诗歌典型代表,蕴含中国古代各地域特色。其英译本得以在海外传播广泛,许渊冲先生的中国古诗英译研究功不可没。齐鲁农耕文化根植于齐鲁地区悠久的农耕经验和乡土气息,集中体现在《诗经》齐风、鲁颂两篇中。本文以许渊冲英译版《诗经》为研究对象,在接受美学视域下研究齐鲁农耕诗歌翻译与传播,论证接受美学对诗歌翻译的适用性,提出从“期待视野”与“召唤结构”两方面制定翻译策略,盘活传统农耕之美。以此为地域特色文化传播提供全新视角,提高农耕诗歌翻译质量与海外接受度,打造文化传播齐鲁样板,增强中华文化软实力。As a representative of Chinese traditional poetry, The Book of Songs contains the characteristics of various regions in ancient China. The outstanding overseas effect of its English version is inseparable from Xu Yuanchong’s research on the translation of ancient Chinese poetry. The agriculture-oriented culture of Qilu (Shandong province in east China) is rooted in its long farming experience and local flavor, which is embodied in Qifeng and Lu song (two chapters in The Book of Songs). Taking Xu Yuanchong’s English version of The Book of Songs as the object, this paper studies the translation and dissertation of Qilu farming poetry from the perspective of reception aesthetics theory, and demonstrates its applicability to poetry translation from the “horizon of expectation” and “calling structure”, so as to develop translation strategies conducive to revive the beauty of traditional farming. This will provide a new perspective for the external communication of regional culture, improve the translation quality and reader acceptance of farming poetry, and create a Qilu model of cultural communication to enhance the soft power of Chinese culture.展开更多
文摘《诗经》是我国传统诗歌典型代表,蕴含中国古代各地域特色。其英译本得以在海外传播广泛,许渊冲先生的中国古诗英译研究功不可没。齐鲁农耕文化根植于齐鲁地区悠久的农耕经验和乡土气息,集中体现在《诗经》齐风、鲁颂两篇中。本文以许渊冲英译版《诗经》为研究对象,在接受美学视域下研究齐鲁农耕诗歌翻译与传播,论证接受美学对诗歌翻译的适用性,提出从“期待视野”与“召唤结构”两方面制定翻译策略,盘活传统农耕之美。以此为地域特色文化传播提供全新视角,提高农耕诗歌翻译质量与海外接受度,打造文化传播齐鲁样板,增强中华文化软实力。As a representative of Chinese traditional poetry, The Book of Songs contains the characteristics of various regions in ancient China. The outstanding overseas effect of its English version is inseparable from Xu Yuanchong’s research on the translation of ancient Chinese poetry. The agriculture-oriented culture of Qilu (Shandong province in east China) is rooted in its long farming experience and local flavor, which is embodied in Qifeng and Lu song (two chapters in The Book of Songs). Taking Xu Yuanchong’s English version of The Book of Songs as the object, this paper studies the translation and dissertation of Qilu farming poetry from the perspective of reception aesthetics theory, and demonstrates its applicability to poetry translation from the “horizon of expectation” and “calling structure”, so as to develop translation strategies conducive to revive the beauty of traditional farming. This will provide a new perspective for the external communication of regional culture, improve the translation quality and reader acceptance of farming poetry, and create a Qilu model of cultural communication to enhance the soft power of Chinese culture.
