This article examines the problem of individual and collective attempts at forgetting the traumatic past in Toni Morrison’s sixth novel Jazz(1992).More specifically,it emphasizes by selected examples psychological an...This article examines the problem of individual and collective attempts at forgetting the traumatic past in Toni Morrison’s sixth novel Jazz(1992).More specifically,it emphasizes by selected examples psychological and social aspects of willful amnesia which can lend itself useful in helping traumatized(country)individuals to repress painful remembrances,heal mental wounds and build a new identity in a memory-free modern city.Analyzing Jazz’s narrative featuring Joe and Violet Trace,with a particular focus put on the expectations and experiences connected with their migration to and life in the City,the article explores via Paul Connerton’s ruminations on cultural forgetting in modern times-delineated in his book How Modernity Forgets(2009)-the mechanisms of intentional amnesia used in the process of recovering from personal and social traumas resulting from more recent(migration and urban life)and more time-distant(slavery and racism)ordeals.展开更多
On May 31,the 2023 Taihu Jazz Music Festival ended.Since its opening on May 26,12 well-.known jazz bands and more than 100 domestic and foreign musicians have taken turns to play the most representative jazz works fro...On May 31,the 2023 Taihu Jazz Music Festival ended.Since its opening on May 26,12 well-.known jazz bands and more than 100 domestic and foreign musicians have taken turns to play the most representative jazz works from the United States,France,Australia,Japan and other countries.Using music as a common language,they carry out dialogue between difterent cultures.展开更多
Montmartre Jazz House in Copenhagen became one of the most famous venues in Europe. This paper describes its history,, from the first concert performed by the American jazz musician George Lewis and His New Orleans Or...Montmartre Jazz House in Copenhagen became one of the most famous venues in Europe. This paper describes its history,, from the first concert performed by the American jazz musician George Lewis and His New Orleans Orchestra to the turbulent and economical difficult years in the 1970＇s when the owner, Herluf Kamp-Larsen, had to declare himself bankrupt. A couple of Danish jazz musicians, trumpet player Palle Mikkelborg （1941-） and pianist Ole Kock Hansen （1945-）, explain the importance of the venue, and some of the most legendary jazz musicians that were hired during the clubs history are mentioned. The paper is based upon the author＇s book upon the venue and gives a survey of the history of Montmartre Jazz House. The research for the book includes lots of concert reviews, interviews with many musicians, members of the staff and Herluf Kamp-Larsen, and besides, the writer had access to the archive of the jazz house.展开更多
Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz a...Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.展开更多
Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive ...Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive part of the world jazz scene and made significant achievements during the communist era. They were able to master the European classical piano school, becoming virtuoso pianists themselves, as well as acquiring self-taught jazz skills. Semi-isolated from the contemporary music trends abroad, Central European artists nonetheless made remarkable musical accomplishments that deserve to be called the Central European Jazz School. Between 1948 and 1989, the communist ideology controlled every country of Central Europe including East Germany. The careers of jazz pianists in these countries would have developed differently if they had lived under democratic conditions. This is evident in the lives of those who emigrated to Western countries and subsequently found a place in the world jazz scene. Using analysis of the Central European jazz musicians＇ compositions and their professional careers, this paper aims to demonstrate the extent to which the Central European Jazz School has contributed to jazz music in Europe and the wider world.展开更多
New Jazz以其独特的魅力赢得了包括中学生在内的大多数青年一代的喜爱,这种舞蹈形式在课外活动中的实施增强了舞蹈艺术教育在素质教育中的重要性。它提升了中学生情感,丰富他们的审美体验,愉悦身心,促进社会其交往能力的发展,同时还是...New Jazz以其独特的魅力赢得了包括中学生在内的大多数青年一代的喜爱,这种舞蹈形式在课外活动中的实施增强了舞蹈艺术教育在素质教育中的重要性。它提升了中学生情感,丰富他们的审美体验,愉悦身心,促进社会其交往能力的发展,同时还是培养想象力和提高创作力的重要方法和手段。展开更多
文摘This article examines the problem of individual and collective attempts at forgetting the traumatic past in Toni Morrison’s sixth novel Jazz(1992).More specifically,it emphasizes by selected examples psychological and social aspects of willful amnesia which can lend itself useful in helping traumatized(country)individuals to repress painful remembrances,heal mental wounds and build a new identity in a memory-free modern city.Analyzing Jazz’s narrative featuring Joe and Violet Trace,with a particular focus put on the expectations and experiences connected with their migration to and life in the City,the article explores via Paul Connerton’s ruminations on cultural forgetting in modern times-delineated in his book How Modernity Forgets(2009)-the mechanisms of intentional amnesia used in the process of recovering from personal and social traumas resulting from more recent(migration and urban life)and more time-distant(slavery and racism)ordeals.
文摘On May 31,the 2023 Taihu Jazz Music Festival ended.Since its opening on May 26,12 well-.known jazz bands and more than 100 domestic and foreign musicians have taken turns to play the most representative jazz works from the United States,France,Australia,Japan and other countries.Using music as a common language,they carry out dialogue between difterent cultures.
文摘Montmartre Jazz House in Copenhagen became one of the most famous venues in Europe. This paper describes its history,, from the first concert performed by the American jazz musician George Lewis and His New Orleans Orchestra to the turbulent and economical difficult years in the 1970＇s when the owner, Herluf Kamp-Larsen, had to declare himself bankrupt. A couple of Danish jazz musicians, trumpet player Palle Mikkelborg （1941-） and pianist Ole Kock Hansen （1945-）, explain the importance of the venue, and some of the most legendary jazz musicians that were hired during the clubs history are mentioned. The paper is based upon the author＇s book upon the venue and gives a survey of the history of Montmartre Jazz House. The research for the book includes lots of concert reviews, interviews with many musicians, members of the staff and Herluf Kamp-Larsen, and besides, the writer had access to the archive of the jazz house.
文摘Metropolises in the globalization call nowadays Towns＇ of jazzmen, jazzwomen and jazz lovers, in a way from which we citizens. Christian Sallenave, sociologist with musical academic and Cities＇ into question. Jazz answers with stories and memories can learn a lesson for the future of towns, metropolises and their background, shows through examples of stories of jazz in New Orleans, New York, Paris, Bordeaux and Rome, how this nomad, notable and crossbreeding music contributes to the history of jazz, and world music, and listeners＇ memories, in ＂their own way＂ as towns, cities and their memories can contribute to the prosperity of the metropolises in globalization, through original melting pot works.
文摘Central European musicians, as a consequence of the efforts of several important figures, have contributed to the development of jazz in the second half of the 20th century. Jazz pianists in Europe were a distinctive part of the world jazz scene and made significant achievements during the communist era. They were able to master the European classical piano school, becoming virtuoso pianists themselves, as well as acquiring self-taught jazz skills. Semi-isolated from the contemporary music trends abroad, Central European artists nonetheless made remarkable musical accomplishments that deserve to be called the Central European Jazz School. Between 1948 and 1989, the communist ideology controlled every country of Central Europe including East Germany. The careers of jazz pianists in these countries would have developed differently if they had lived under democratic conditions. This is evident in the lives of those who emigrated to Western countries and subsequently found a place in the world jazz scene. Using analysis of the Central European jazz musicians＇ compositions and their professional careers, this paper aims to demonstrate the extent to which the Central European Jazz School has contributed to jazz music in Europe and the wider world.
