With the development of the major country diplomacy with Chinese characteristics,diplomatic discourse,as an important part of building China’s international discourse power,has attracted much attention.Personificatio...With the development of the major country diplomacy with Chinese characteristics,diplomatic discourse,as an important part of building China’s international discourse power,has attracted much attention.Personification is a common means in diplomatic discourse.By giving anthropomorphic expressions to countries,regions,institutions and policies,the purpose of building national identity and establishing national image can be achieved.Based on conceptual metaphor theory and national identity theory,this paper focuses on personification in diplomatic discourse with a case study of the regular press conference of Ministry of Foreign Affairs.It is found that the spokesperson skillfully constructed China’s positive national identity,such as peace-loving,openness and inclusiveness by using a large number of body metaphor,kinship metaphor and role metaphor.展开更多
Through a detailed text examination,this paper contends that albeit Kate Grenville'sThe Secret River is dedicated to interrogate white actions in the colonial past and expects to contribute to the process of recon...Through a detailed text examination,this paper contends that albeit Kate Grenville'sThe Secret River is dedicated to interrogate white actions in the colonial past and expects to contribute to the process of reconciliation in Australia, it engages sympathy of readers through the empathetic personification of the protagonist William Thornhill,who is subtly positioned as a victim forced into morally dubious actions by extraordinary circumstances. The wrongdoing of the white settlers is normalized in a western conception of possessive logic,the plight of the Aborigines authentically diluted and minimized. This paper thus concludes that The Secret River is another white attempt to legitimize dispossession of the Indigenous and a failure of engagement in the national reconciliation process. This paper further points out that repressing the true history will never set Australia free; acknowledging collective guilt is the only way forward.展开更多
The first section of this essay deals with an iconographical analysis of Lavinia Fontana’s(1552-1614)Prudence or Personification of Wisdom of 1590,while the second part provides an iconological interpretation,demonst...The first section of this essay deals with an iconographical analysis of Lavinia Fontana’s(1552-1614)Prudence or Personification of Wisdom of 1590,while the second part provides an iconological interpretation,demonstrating Fontana’s application of emblematic significations.This painting is presently on display at the Galerie Maison d’Art in Monte Carlo.At this time there is lack of knowledge about the patronage of this commission,except from the art gallery’s records showing that it acquired the painting from a private collection in New York.展开更多
Two personification strategies are presented, which yield a highly efficient and practical algorithm for solving one of the NP hard problems——circles packing problem on the basis of the quasi-physical algorithm. A v...Two personification strategies are presented, which yield a highly efficient and practical algorithm for solving one of the NP hard problems——circles packing problem on the basis of the quasi-physical algorithm. A very clever polynomial time complexity degree approximate algorithm for solving this problem has been reported by Dorit S.Hochbaum and Wolfgang Maass in J. ACM. Their algorithm is extremely thorough-going and of great theoretical significance. But, just as they pointed out, their algorithm is feasible only in conception and even for examples frequently encountered in everyday life and of small scale, it is the case more often than not that up to a million years would be needed to perform calculations with this algorithm. It is suggested toward the end of their paper that a heuristic algorithm of higher practical effectiveness should be sought out. A direct response to their suggestion is intented to provide.展开更多
From the variety of types of portraiture,there evolved the imaging of a self-portrait as we see in Saint Catherine of Alexandria by Barbara Longhi of Ravenna(1552-1638).The self-portrait is a unique work of art,an int...From the variety of types of portraiture,there evolved the imaging of a self-portrait as we see in Saint Catherine of Alexandria by Barbara Longhi of Ravenna(1552-1638).The self-portrait is a unique work of art,an intimate record of a sitter’s personality.It is an acknowledgment of worth,an exercise in technique,and a designator of era,style,and likeness.The self-portrait can be a study in expression,an impersonation of a virtue,or a document in a history of aging.As William Shakespeare noted in Hamlet,“[The self-portrait is]to show virtue her own feature,scorn her own image,and the very age and body of the time his form and pressure.”In the sixteenth-century in Italy,artists often included themselves or their self-portraits in religious and secular scenes as a type of signature,as seen in the paintings of the Longhi family.In their many depictions of Saint Catherine of Alexandria,the Longhis composed two types of such images:a single-solo-image of the saint;and also her presence in a group with saints-a theme known as holy conversation.In her paintings,Barbara Longhi preferred to depict the solo image of Saint Catherine of Alexandria,using herself as a model for the figure of the saint or as a muse impersonating or personifying the saint’s virgo virtue.This essay is composed of two parts:(1)a brief explanation of the meaning of self-portraits in sixteenth-century Italy;and(2)a study of Barbara Longhi’s self-portraits as Saint Catherine of Alexandria.展开更多
In the poem There came a wind like a bugle by Emily Dickinson,the rhetoric,such as simile,personification,synaesthesia,and metaphor are employed to express her frightened feeling.This paper analyses how the rhetoric c...In the poem There came a wind like a bugle by Emily Dickinson,the rhetoric,such as simile,personification,synaesthesia,and metaphor are employed to express her frightened feeling.This paper analyses how the rhetoric conveys the author's rich inner world and how to appreciate the poem.展开更多
Using the method of stylistics to analyze Wilfred Owen's "Arms and the boys" stylistic features of the poem.There are three levels of detailed analysis of the foregrounding feature of the poem:voice,rhyt...Using the method of stylistics to analyze Wilfred Owen's "Arms and the boys" stylistic features of the poem.There are three levels of detailed analysis of the foregrounding feature of the poem:voice,rhythm and rhetoric.The theme of the poem is "the tragedy of war",demonstrating by onomatopoeia,alliteration,and other rhymes in the form element combination and the use of personification.展开更多
Personification is widely acknowledged for its central role in the understanding of a nation.However,empirical evidence of its pervasiveness in authentic language data is lacking.In a selfbuilt corpus of news report,t...Personification is widely acknowledged for its central role in the understanding of a nation.However,empirical evidence of its pervasiveness in authentic language data is lacking.In a selfbuilt corpus of news report,this study coded,categorized,and analyzed the metaphoric and metonymic use of two country names:China and Australia.The distribution of the use of country names shows a continuum ranging from the literal,through metonymy,to metaphor.A clear majority of the figurative use of national names in the corpus lies in the category of metonymy,and the fuzzy area between metonymy and metaphor.In contrast,metaphors only take up a minor proportion,and most of them are based on metonymic link.By examining the mundane and seemingly literate use of country names,this study exemplifies that consistent patterns of conventional metonymy and metaphor are able to incur significant cognitive impact.Thus,this study calls for more attention on metonymy and metonymy-metaphor interaction in empirical studies on metaphor.展开更多
According to classic deterministic-stochastic approaches, we don’t have any possibility for realization of the basic principle in medicine because every human organism has its own specific features. It is evident for...According to classic deterministic-stochastic approaches, we don’t have any possibility for realization of the basic principle in medicine because every human organism has its own specific features. It is evident for us that requirement of medical personification includes two procedures: individual (with uninterrupted procedure of human organism state measurement) diagnostics and the second part which is connected with uninterrupted control of the efficiency of medical treatment and measurements of human organism parameters. We conduct the diagnostics according to behavior of state vector of human organism in phase space of states according to every coordinates of human’s state vector and with calculation of quasiattractors. We can present the results of our observations: what may be good for one person is not necessarily good for another. We present new bioinformational methods and software for calculation of quasiattractors parameters for dissolving such contradictions between deterministic-stochastic medicine and the use of theory of chaos self-organization where the state vector of human organism demonstrates uninterrupted movements. The practical results of such procedure are also presented according to the theory of chaos-self-organization. So there are great distinctions between the classic deterministic-stochastic approach (based on traditional medicine requirements) and the new theory of chaos self-organization which considers every human organism as a unique system with individual properties.展开更多
This study provides a multimodal discourse analysis of Saudi Arabic TV commercials from a linguistic and visual semiotic perspective,linking communication,language,and culture.The study draws on pragmatics,semiotics,a...This study provides a multimodal discourse analysis of Saudi Arabic TV commercials from a linguistic and visual semiotic perspective,linking communication,language,and culture.The study draws on pragmatics,semiotics,and language and culture,within the framework of discourse analysis.The data consisted of five commercials of personal care items,with the analysis focusing on figurative linguistic elements,including metaphorical expressions and personification,as well as visual elements,including visual metaphors and semiotic symbols.The analysis is based on Lakoff and Johnson’s(2003)conceptual metaphor theory,Saussure’s(1966)theory of semiology,and Grice’s(1975)theory of conversational implicatures.The findings contribute to the existing literature on visual and linguistic metaphors and could serve as a foundation for future studies to examine how the interaction between language and visuals in advertising is represented across cultures.It could also have implications for the practice of advertising in international business and marketing communication.展开更多
文摘With the development of the major country diplomacy with Chinese characteristics,diplomatic discourse,as an important part of building China’s international discourse power,has attracted much attention.Personification is a common means in diplomatic discourse.By giving anthropomorphic expressions to countries,regions,institutions and policies,the purpose of building national identity and establishing national image can be achieved.Based on conceptual metaphor theory and national identity theory,this paper focuses on personification in diplomatic discourse with a case study of the regular press conference of Ministry of Foreign Affairs.It is found that the spokesperson skillfully constructed China’s positive national identity,such as peace-loving,openness and inclusiveness by using a large number of body metaphor,kinship metaphor and role metaphor.
基金the National Social Science Fund Key Project--Oceania Literature Research in Multicultural Perspective(16ZDA200) the National Social Science Fund Project-A Critical History of Contemporary Australian Literature(12BWW037).
文摘Through a detailed text examination,this paper contends that albeit Kate Grenville'sThe Secret River is dedicated to interrogate white actions in the colonial past and expects to contribute to the process of reconciliation in Australia, it engages sympathy of readers through the empathetic personification of the protagonist William Thornhill,who is subtly positioned as a victim forced into morally dubious actions by extraordinary circumstances. The wrongdoing of the white settlers is normalized in a western conception of possessive logic,the plight of the Aborigines authentically diluted and minimized. This paper thus concludes that The Secret River is another white attempt to legitimize dispossession of the Indigenous and a failure of engagement in the national reconciliation process. This paper further points out that repressing the true history will never set Australia free; acknowledging collective guilt is the only way forward.
文摘The first section of this essay deals with an iconographical analysis of Lavinia Fontana’s(1552-1614)Prudence or Personification of Wisdom of 1590,while the second part provides an iconological interpretation,demonstrating Fontana’s application of emblematic significations.This painting is presently on display at the Galerie Maison d’Art in Monte Carlo.At this time there is lack of knowledge about the patronage of this commission,except from the art gallery’s records showing that it acquired the painting from a private collection in New York.
基金Project supported by the 973 National Focus Program of China on Development of Fundamental Research, 863 National HighTech Programme of China, National Natural Science Foundation of China, and Chinese Science Foundation for National Doctoral Training.
文摘Two personification strategies are presented, which yield a highly efficient and practical algorithm for solving one of the NP hard problems——circles packing problem on the basis of the quasi-physical algorithm. A very clever polynomial time complexity degree approximate algorithm for solving this problem has been reported by Dorit S.Hochbaum and Wolfgang Maass in J. ACM. Their algorithm is extremely thorough-going and of great theoretical significance. But, just as they pointed out, their algorithm is feasible only in conception and even for examples frequently encountered in everyday life and of small scale, it is the case more often than not that up to a million years would be needed to perform calculations with this algorithm. It is suggested toward the end of their paper that a heuristic algorithm of higher practical effectiveness should be sought out. A direct response to their suggestion is intented to provide.
文摘From the variety of types of portraiture,there evolved the imaging of a self-portrait as we see in Saint Catherine of Alexandria by Barbara Longhi of Ravenna(1552-1638).The self-portrait is a unique work of art,an intimate record of a sitter’s personality.It is an acknowledgment of worth,an exercise in technique,and a designator of era,style,and likeness.The self-portrait can be a study in expression,an impersonation of a virtue,or a document in a history of aging.As William Shakespeare noted in Hamlet,“[The self-portrait is]to show virtue her own feature,scorn her own image,and the very age and body of the time his form and pressure.”In the sixteenth-century in Italy,artists often included themselves or their self-portraits in religious and secular scenes as a type of signature,as seen in the paintings of the Longhi family.In their many depictions of Saint Catherine of Alexandria,the Longhis composed two types of such images:a single-solo-image of the saint;and also her presence in a group with saints-a theme known as holy conversation.In her paintings,Barbara Longhi preferred to depict the solo image of Saint Catherine of Alexandria,using herself as a model for the figure of the saint or as a muse impersonating or personifying the saint’s virgo virtue.This essay is composed of two parts:(1)a brief explanation of the meaning of self-portraits in sixteenth-century Italy;and(2)a study of Barbara Longhi’s self-portraits as Saint Catherine of Alexandria.
文摘In the poem There came a wind like a bugle by Emily Dickinson,the rhetoric,such as simile,personification,synaesthesia,and metaphor are employed to express her frightened feeling.This paper analyses how the rhetoric conveys the author's rich inner world and how to appreciate the poem.
文摘Using the method of stylistics to analyze Wilfred Owen's "Arms and the boys" stylistic features of the poem.There are three levels of detailed analysis of the foregrounding feature of the poem:voice,rhythm and rhetoric.The theme of the poem is "the tragedy of war",demonstrating by onomatopoeia,alliteration,and other rhymes in the form element combination and the use of personification.
基金The present study is part of the Chinese MOE Key Research Project of Humanities and Social Science(Project No.16JJD740006)conducted by the Centre for Linguistics and Applied Linguistics,Guangdong University of Foreign Studies.
文摘Personification is widely acknowledged for its central role in the understanding of a nation.However,empirical evidence of its pervasiveness in authentic language data is lacking.In a selfbuilt corpus of news report,this study coded,categorized,and analyzed the metaphoric and metonymic use of two country names:China and Australia.The distribution of the use of country names shows a continuum ranging from the literal,through metonymy,to metaphor.A clear majority of the figurative use of national names in the corpus lies in the category of metonymy,and the fuzzy area between metonymy and metaphor.In contrast,metaphors only take up a minor proportion,and most of them are based on metonymic link.By examining the mundane and seemingly literate use of country names,this study exemplifies that consistent patterns of conventional metonymy and metaphor are able to incur significant cognitive impact.Thus,this study calls for more attention on metonymy and metonymy-metaphor interaction in empirical studies on metaphor.
文摘According to classic deterministic-stochastic approaches, we don’t have any possibility for realization of the basic principle in medicine because every human organism has its own specific features. It is evident for us that requirement of medical personification includes two procedures: individual (with uninterrupted procedure of human organism state measurement) diagnostics and the second part which is connected with uninterrupted control of the efficiency of medical treatment and measurements of human organism parameters. We conduct the diagnostics according to behavior of state vector of human organism in phase space of states according to every coordinates of human’s state vector and with calculation of quasiattractors. We can present the results of our observations: what may be good for one person is not necessarily good for another. We present new bioinformational methods and software for calculation of quasiattractors parameters for dissolving such contradictions between deterministic-stochastic medicine and the use of theory of chaos self-organization where the state vector of human organism demonstrates uninterrupted movements. The practical results of such procedure are also presented according to the theory of chaos-self-organization. So there are great distinctions between the classic deterministic-stochastic approach (based on traditional medicine requirements) and the new theory of chaos self-organization which considers every human organism as a unique system with individual properties.
文摘This study provides a multimodal discourse analysis of Saudi Arabic TV commercials from a linguistic and visual semiotic perspective,linking communication,language,and culture.The study draws on pragmatics,semiotics,and language and culture,within the framework of discourse analysis.The data consisted of five commercials of personal care items,with the analysis focusing on figurative linguistic elements,including metaphorical expressions and personification,as well as visual elements,including visual metaphors and semiotic symbols.The analysis is based on Lakoff and Johnson’s(2003)conceptual metaphor theory,Saussure’s(1966)theory of semiology,and Grice’s(1975)theory of conversational implicatures.The findings contribute to the existing literature on visual and linguistic metaphors and could serve as a foundation for future studies to examine how the interaction between language and visuals in advertising is represented across cultures.It could also have implications for the practice of advertising in international business and marketing communication.