Effective extraction of polyribosomes from astrocytes enables future discoveries on translation regulation

Translation regulation is an important layer of gene expression:Generation of genome-wide expression datasets at multi-omics levels in spatial,temporal,and cell-type resolution is essential for deciphering brain complexity.Regulation of gene expression is a highly dynamic process aiming at the production of precise levels of gene products to guarantee optimal cellular function,in response to physiological cues.Speedy advances in next-generation sequencing enabled the understanding of epigenomic and transcriptomic dynamic landscapes of different brain regions along development,aging,and disease progression.However,the correlation of the“transcriptome”with protein levels is poor because numerous mRNAs are subjected to manipulation of their translation efficiency,to warrant a favorable result under certain conditions.Hence,it is widely accepted that regulation at the translation level is a vital layer of gene expression.Quantification of actively translated mRNA populations(i.e.,“translatome”)is a more reliable predictor of the“proteome”(Wang et al.,2020).

中国古诗英译的可译性——赏读Transplanting the Seed:Poetry and Translation

在SusanBassnett的TransplantingtheSeed一文中提出诗歌翻译的可译性的基础上,简要介绍中国古诗英译的可译性和不可译性的客观存在;通过对一些古诗的英译文本进行研读,着重分析可译的客观性,并介绍了对不可译的处理方法,如风格、音韵和文化的移植。

An Investigation into the Case of Multi-interpretation in Poetry Translation

In translating poems, it is very common that different people have quite different versions of the same poem. This paper therefore intends to expound upon the underlying factors from the perspective of Hermeneutics,by exploring the relationship between the textual meaning and the textual significance of a poem, as well as the relationship between the author's intention and the textual intention of a poem, aiming to explain the key element in translating poems—multi-interpretation.

Beauty in Sense, Sound and Form in Poetry Translation —— Translation of Tang Poems From Chinese to English

本文对诗歌翻译的三要素 :意美、声美、形美作一简要的介绍和分析。其中主要以唐诗的翻译为例 ,说明翻译是一种再创作的过程。

翻译中失去的到底是什么?——Poetry is what gets lost in translation出处之考辨及其语境分析

《探源》一文并未探到"Poetry is what gets lost in translation"这句"引语"的源头,本文质疑这句"名言"之由来并考证其出处,证明此"引语"不见于弗罗斯特生前公开发表以及后人搜集编纂出版的任何诗体和散文体作品,呈现弗罗斯特关于"译诗会有所失"之论述的原文原貌并结合其所在语境分析这段原文,商榷"诗乃翻译中失去的东西"这句汉语译文,呼吁翻译理论工作者用更加严肃认真的科学态度对待学术引征。

On Functional Discourse Analysis Applied in Translation of Chinese Tea Poetry

In this article,the author aims to analyze some English translations of ancient Chinese tea poems in a functional linguistic point of view based mainly on Halliday's functional linguistic theory.First of all,there is a general introduction of Halliday's functional linguistic theory,secondly we will look into the features of ancient Chinese tea poetry,such as the grammar,the language and the context,and then the author picks out two typical examples for detail analyzing,at last there is a brief conclusion of the whole article.

Faithfulness in Poetry Translation—A Comparative Study of Two Chinese Versions of Thomas Hardy's“The Darkling Thrush”

People have different points of view on the criteria applicable to poetry translation.This paper focuses on what kind of principle should be followed in poetry translation.It starts with a brief introduction of one interesting dispute over the standards and criteria applicable to poetry translation.Based upon a brief summary of the two conflicting theories raised by Professor Xu Yuanchong(许渊冲)and Professor Liu Yingkai(刘英凯),this paper compares two Chinese versions of Thomas Hardy’s"The Darkling Thrush"for the purpose of establishing the idea that"faithfulness"should be treated as the paramount principle and criteria in poetry translation.

On C-E Translation of Chinese Tang Poetry from the Perspective of Ecotranslatology

Tang poetry is a shining pearl in the history of Chinese literature.C-E translation of Tang poetry is regarded as a very complex and hard task because of its special style and form,concise diction and profound artistic conception.Eco-translatology provides a new perspective for the study on C-E translation of Tang poetry.Based on analysis of some practical examples,this paper discusses some C-E translation methods of tang poetry from the perspective of eco-translatology,namely,adaptive transformation from linguistic,cultural and communicative dimensions.

What can poetry translation focus on-Sense, image or spirit？

＂Qi＂ （spirit） is originally an ancient Chinese philosophical term regarded as the fundamental material to constitute the universe. Later, it＇s used as a term in literary criticism referring to the authors＇ talent, qualities, and their work styles. Poetry, as a language form concentrating thoughts and feelings, is the best form reflecting the various changes of＂Qi＂ （spirit）. ＂Qi＂ （spirit） combines the style, imagery and charm of a poem in a union, translation of the poem should be close to such a combination. Translation of＂Qi＂ （spirit） is a pursuit of translating poetry which is based on translation of sense and image, but it may focus more on the wording technique with a wide insight on the original poem including the meaning and the tone of the poem and the author＇s thoughts and feelings, focusing on an overall effect of appreciation.

A Study on the Reproduction of Artistic Conception in Translation of Chinese Classical Poetry from the Perspective of Reception Aesthetics Theory

Chinese classical poetry has long been known for its unique artistic conception of mixture of sentiments andscenery, the conception beyond image and the refinement out of rhyme. From the perspective of receptionaesthetics theory, this paper analyzes translation strategies of the classical poetry, probes into the problems thatretaining “indeterminacy” and satisfying the readers “horizon of expectations” when translate Chinese classicalpoetry. It is necessary to keep enough aesthetic space, and to give full play to the translator’s aesthetic creativitywhen translate Chinese classical poetry, so as to reproduce the artistic conception of Chinese classical poetry.

Noun-Inspiring Theme in Poetic Translation—On Noun Translation Governed by Theme of Classical Chinese Poetry

The presence of poetic noun is very common in classical Chinese poetry. And the absence of preposition and conjunction leading to noun juxtaposition is one of the poetic aesthetic features. At present, most researches of poetic translatio on n base individual impression and perception, fail to comprehend the nouns of source text in categorization, and critical analysis on the translated nouns is not interpretable and verifiable. This paper, taking a perspective of poetic theme relevance, categorizes the poetic noun from the indicative, descriptive and symbolic dimensions, proposes a poetic translation strategy called"aesthetic reproduction of poetic theme", and proves its necessity and rationality.

The Application of Wang Rongpei's Translation Strategies in Translating Chinese Ancient Poetry

Professor Wang Rongpei has put forward the translation principle—"faithful in meaning and vivid in description"and put it into use. Through a series of analysis and contrast of different versions, this essay would prove the rationality of Professor Wang Rongpei's translation principle.

On the Translation of “Gold”&“Jade” in Chinese Poetry

Poetry is a precious part of traditional Chinese civilization.In the times of globalization,an increasing number of for eigners become interested in Chinese poetry.Hence,translating Chinese poetry into English and other languages is an arduous task for translators.Cultural image is a special cultural phenomenon in ancient Chinese poetry.Its proper translation will have a direct impact on the transmission of the artistic conception of poem,affecting the target-language readers’appreciation of the po em.In poetry,the images"gold"and"jade"whose cultural connotations have covered many areas such as politics,etiquette,reli gion,belief,custom,esthetical consciousness and so on,are indispensable parts of poetry translation.Therefore,this essay will anal yse the translation of images"gold"and"jade"in poetry under the cross-cultural perspective.

The Wording Techniques in Poetry Translation

All times, there have been translators who endeavored to convey the original meaning of the poet by their own understandings and ways of expression. Therefore, different translators might have different translation for the same poem. Some pay more attention to the form while others to the meaning.

Translation Ecology Analysis of The Book of Songs & Book of Poetry

Shi Jing is the necessary reference book about Chinese literature.Waley's the Book of Songs and Xu Yuanchong's Book of Poetry are two excellent reference books.So,this paper hopes to find a new way to analyze the two versions.This paper will use the theory to analyze and compare the two translation works on the perspective of translation ecology.

Poetry Translation in the Cross-Cultural Perspective

Poem or verse is a kind of literary genre, which is ruled by syllable, tune and rhythm scheme, uses concise words, plentiful emotions and rich phenomenon to highly give the picture of social life and spiritual world. In ancient China, musical poems were called songs, while poems without music verses. To translate poems is inevitable. This paper begins from poem translation and chooses theory of translation as bedding in order to discuss how to translate poems and various meanings of poems at different cultural background.It is divided into three parts. The first part tells theory to know more about translation. The second part analyzes poems of three dynasties by way of exploring historical materials, making the foundation to go on. The third part researches features of poem translation.

A Study of Robert Morrison’s Translation of Chinese Poetry

The translation activities of Robert Morrison,the first protestant missionary to China,exert a profound impact on the following missionaries of their missionary efforts and Chinese Studies.Morrison’s translations of Chinese poetry,mainly cited as examples of certain cultural context,are scattered in various publications,and are not yet systematically studied.This paper aims to integrate and analyze Morrison’s translations of Chinese poetry,summarize their linguistic features,thereby providing insight into the studies on translation of the early missionary sinologues in China.

German Poetry in African Languages： The Translation of Selected German Poems From an Intercultural Perspective

The article deals with the translation of German poetry into Wolof and is based on Tamsir Annes＇s translation of German poems under the title Tdere-Woy yi/Das Buch der Lieder. My purpose in this paper is to answer the question of how elements of the vocabulary of sciences （literature and philosophy） as well as cultural specific items are rendered in the Wolof target text. Therefore, in this work, I explore methods and strategies of translation like borrowings, paraphrases, and analyze furthermore some differences noticeable in the translation of some poems at the cultural level. These analysis-steps enable the investigation of, contextually, the central issue of ＂cultural translatability＂ and the reception of translation of European poetry into African languages in general and German poetry into Wolof in particular. The article also focuses on the importance of the reception of German poetry in Wolof as a means of intercultural communication between German and Wolof-speaking countries but as means to develop African languages like Wolof in which the translation of the selected poems has been operated.

RNPS1 stabilizes NAT10 protein to facilitate translation in cancer via tRNA ac^(4)C modification

Existing studies have underscored the pivotal role of N-acetyltransferase 10(NAT10) in various cancers. However, the outcomes of protein-protein interactions between NAT10 and its protein partners in head and neck squamous cell carcinoma(HNSCC) remain unexplored. In this study, we identified a significant upregulation of RNA-binding protein with serine-rich domain 1(RNPS1) in HNSCC, where RNPS1 inhibits the ubiquitination degradation of NAT10 by E3 ubiquitin ligase, zinc finger SWIM domain-containing protein 6(ZSWIM6), through direct protein interaction, thereby promoting high NAT10 expression in HNSCC. This upregulated NAT10 stability mediates the enhancement of specific tRNA ac^(4)C modifications, subsequently boosting the translation process of genes involved in pathways such as IL-6 signaling, IL-8 signaling, and PTEN signaling that play roles in regulating HNSCC malignant progression, ultimately influencing the survival and prognosis of HNSCC patients. Additionally, we pioneered the development of TRMC-seq, leading to the discovery of novel t RNA-ac^(4)C modification sites, thereby providing a potent sequencing tool for tRNAac^(4)C research. Our findings expand the repertoire of tRNA ac^(4)C modifications and identify a role of tRNA ac^(4)C in the regulation of mRNA translation in HNSCC.

Analysis of Aesthetic Communication Barriers in English Translation of Classic Chinese Poetry

Aesthetic communication plays significant role in poetry translation,for it affects the target text in both internal structure and external structure. This paper analyzes the comparison of nine versions of English translation of classic Chinese poem —Jing Ye Si written by Li Bai(李白) from the perspective of aesthetic communication barriers and reiterates the factors which influence the translation target texts.