The first half of the 20th century saw the emergence of music culture that served the cause of the people’s liberation during the process of the Chinese people’s strife for liberation. This music culture has develop...The first half of the 20th century saw the emergence of music culture that served the cause of the people’s liberation during the process of the Chinese people’s strife for liberation. This music culture has developed under the guidance of the Marxist thoughts, and in this course of its development, Lu Ji became one of the major pioneers. The evolution of such music culture possesses the following features: first of all, it argues that music is for the people. Many of Lu Ji’s music works encouraged the people in their fighting, which exactly represents the idea of music for the people. Secondly, in terms of composition methods, the musicians, in order to eulogize the people’s struggle and their victory, and chant about their joy and misery, observed the principle of dialectical materialist theory of reflection, and acquired inspirations for music creation from the rich and colourful life of the people, so as to create striking images of music by applying the composition methods that combine both the revolutionary realism and the revolutionary romanticism. Thirdly, they dealt with national musical heritages from the perspective of historical materialism, and inherited and promoted the finest parts of these heritages from which the new music culture of the present day can benefit.展开更多
文摘The first half of the 20th century saw the emergence of music culture that served the cause of the people’s liberation during the process of the Chinese people’s strife for liberation. This music culture has developed under the guidance of the Marxist thoughts, and in this course of its development, Lu Ji became one of the major pioneers. The evolution of such music culture possesses the following features: first of all, it argues that music is for the people. Many of Lu Ji’s music works encouraged the people in their fighting, which exactly represents the idea of music for the people. Secondly, in terms of composition methods, the musicians, in order to eulogize the people’s struggle and their victory, and chant about their joy and misery, observed the principle of dialectical materialist theory of reflection, and acquired inspirations for music creation from the rich and colourful life of the people, so as to create striking images of music by applying the composition methods that combine both the revolutionary realism and the revolutionary romanticism. Thirdly, they dealt with national musical heritages from the perspective of historical materialism, and inherited and promoted the finest parts of these heritages from which the new music culture of the present day can benefit.
