论域“媒介与材料”——毗连当代纤维艺术交融中的话语建构

在当代纤维艺术演化趋势中,对媒介与材料的 研究已是不可分割。本文以“媒介”和“材料”这两个要 素为切入点,旨在探寻在这两个元素涟漪境况中,当代纤 维艺术所显现的内在特质与本质内涵,并挖掘出其在话语 建构下所孕育出的新场域的可能。通过文献阅读及实证举 例的方式,对媒介、材料、两者之间内在关联性及显性表 征等方面进行论述。得出了在当代纤维艺术的话语建构之 下,不管是媒介还是材料的能指是多样的,它是由多种有 形的和隐形的媒介方式的共同合力而铸造,而将当代纤维 艺术的整体态势集合起来,更是实现了个人纤维创作的表 达。在未来,无论是哪种取向,纤维艺术的话语空间都是 跨领域、跨空间的大融合。 Abstract: In the evolution trend of contemp orary fiber art, the study of media and materia ls has become inseparable. With the two eleme nts of “media” and “material” as the entry poin t, this paper aims to explore the inherent char acteristics and essential connotation of contemp orary fiber art in the situation of the ripples o f these two elements, and explore the possibilit y of a new field nurtured by its discourse const ruction. Through the way of literature reading and empirical examples, the media, materials, the internal correlation between them and the dominant representation are discussed. It is con cluded that under the discourse construction of contemporary fiber art, the signifiers of both m edia and materials are diverse, which are cast by the joint efforts of various tangible and invi sible media modes. Moreover, the collection o f the overall situation of contemporary fiber ar t can realize the expression of individual fiber creation. In the future, no matter what kind o f orientation, the discourse space of fiber art is a great integration of cross-fields and cross- spaces.

“本源之畛域”:基存在主义之艺术观评述现代纤维艺术作品

现代纤维艺术受时代变化的影响,要求从崭新视角中提出新颖的研究课题。本文以海德格尔存在主义之艺术观视角下,通过评述现代纤维艺术作品中的关系问题为主要研究目的。运用研读相关专业资料和分析纤维艺术作品案例为方法。展开对海德格尔存在主义之艺术观中基本概念叙述;对现代纤维艺术解读;存在主义指引下与现代纤维艺术转化关系为论题。习得在新形势下现代纤维艺术作品创作,需要更多从海德格尔之艺术观中寻找契合点。基于存在主义的构架下,搭建属于现代纤维艺术观念的改变。