<正>卢芹斋(C. T. Loo,全名Loo Ching-Tsai,公元一八八○~一九五七年)的生平和职业生涯构成了二十世纪上半叶中国艺术收藏史的主要篇章[一]。二○一○年,卢芹斋在巴黎的小女儿卢兰宁(Janine Loo Pierre-Emmanuel)将五十二张家族...<正>卢芹斋(C. T. Loo,全名Loo Ching-Tsai,公元一八八○~一九五七年)的生平和职业生涯构成了二十世纪上半叶中国艺术收藏史的主要篇章[一]。二○一○年,卢芹斋在巴黎的小女儿卢兰宁(Janine Loo Pierre-Emmanuel)将五十二张家族照片作为档案捐赠给美国弗利尔与赛克勒美术馆(Freer Gallery of Art and Arthur M.Sackler Gallery),为中国古代艺术品在中国、欧洲和美国之间错综复杂的流传史提供了新的研究资料。展开更多
It is a dialogue about Cassel Documenta among Miss,Ball,curator of contemporary art school of Vienna Fine Art Institute and one of the planners of the 11th Cassei Documenta,and some planners,artists and scholars.The d...It is a dialogue about Cassel Documenta among Miss,Ball,curator of contemporary art school of Vienna Fine Art Institute and one of the planners of the 11th Cassei Documenta,and some planners,artists and scholars.The dialogue concerns the history of Documenta and its rejationship with culture,politics and art market.Also in the dialogue,we can know what she,as a woman artist,thinks of the situation of women artists,thinks of the situation of women artists.(from Du Shu magazine,July 2002)展开更多
文摘<正>卢芹斋(C. T. Loo,全名Loo Ching-Tsai,公元一八八○~一九五七年)的生平和职业生涯构成了二十世纪上半叶中国艺术收藏史的主要篇章[一]。二○一○年,卢芹斋在巴黎的小女儿卢兰宁(Janine Loo Pierre-Emmanuel)将五十二张家族照片作为档案捐赠给美国弗利尔与赛克勒美术馆(Freer Gallery of Art and Arthur M.Sackler Gallery),为中国古代艺术品在中国、欧洲和美国之间错综复杂的流传史提供了新的研究资料。
文摘It is a dialogue about Cassel Documenta among Miss,Ball,curator of contemporary art school of Vienna Fine Art Institute and one of the planners of the 11th Cassei Documenta,and some planners,artists and scholars.The dialogue concerns the history of Documenta and its rejationship with culture,politics and art market.Also in the dialogue,we can know what she,as a woman artist,thinks of the situation of women artists,thinks of the situation of women artists.(from Du Shu magazine,July 2002)
