约瑟夫·海勒的杰作《第二十二条军规》不仅因塑造了反英雄角色约赛连和其深刻的黑色幽默而闻名,同时也描绘了一些边缘化的人物,其中一级准尉怀特·哈尔福特尤为引人注目。哈尔福特作为一个土著美国人,即印第安人的身份,在美国...约瑟夫·海勒的杰作《第二十二条军规》不仅因塑造了反英雄角色约赛连和其深刻的黑色幽默而闻名,同时也描绘了一些边缘化的人物,其中一级准尉怀特·哈尔福特尤为引人注目。哈尔福特作为一个土著美国人,即印第安人的身份,在美国社会和军队中往往被忽视,他的存在挑战了所谓“文明社会”和“文明人”的标准。尽管小说对他的描述相对简略,但他所经历的种种困境却深刻反映了美国对少数民族的政策以及这些群体,特别是土著美国人所面临的挑战和困境,引人深思。Joseph Heller’s masterpiece Catch-22 is renowned not only for its portrayal of the anti-hero Yossarian and his deep black humor, but also for its depiction of marginalized characters, notably Chief Warrant Officer White Halfoat. As an Indigenous American, Halfoat’s Native American identity is often overlooked in American society and the military, challenging norms of “civilized society” and “civilized individuals”. Although briefly described in the novel, his experiences deeply reflect America’s policies towards minorities and the unique challenges faced by Indigenous Americans, offering profound reflections.展开更多
文摘约瑟夫·海勒的杰作《第二十二条军规》不仅因塑造了反英雄角色约赛连和其深刻的黑色幽默而闻名,同时也描绘了一些边缘化的人物,其中一级准尉怀特·哈尔福特尤为引人注目。哈尔福特作为一个土著美国人,即印第安人的身份,在美国社会和军队中往往被忽视,他的存在挑战了所谓“文明社会”和“文明人”的标准。尽管小说对他的描述相对简略,但他所经历的种种困境却深刻反映了美国对少数民族的政策以及这些群体,特别是土著美国人所面临的挑战和困境,引人深思。Joseph Heller’s masterpiece Catch-22 is renowned not only for its portrayal of the anti-hero Yossarian and his deep black humor, but also for its depiction of marginalized characters, notably Chief Warrant Officer White Halfoat. As an Indigenous American, Halfoat’s Native American identity is often overlooked in American society and the military, challenging norms of “civilized society” and “civilized individuals”. Although briefly described in the novel, his experiences deeply reflect America’s policies towards minorities and the unique challenges faced by Indigenous Americans, offering profound reflections.
