The paper studies the Chapter One of Janggar sung by Janggar Rapist Arimpil from a narratological point of view in terms of characters,background and events.Arimpil sings the chapter with a combination of static and d...The paper studies the Chapter One of Janggar sung by Janggar Rapist Arimpil from a narratological point of view in terms of characters,background and events.Arimpil sings the chapter with a combination of static and dynamic descriptions,prolepsis and recapitulation,utilizing summary,scene,and pause to frame the narrative rhythm of the text.This fully reflects the high level of his singing skills and unique style.展开更多
The rhythm of Praise of Shakyamuni translated by Mergen Gegen Lobangdambizalsan is based on repeating beats,which consist of sections by section.This requirement of rhythmic averaging has affected his translation skil...The rhythm of Praise of Shakyamuni translated by Mergen Gegen Lobangdambizalsan is based on repeating beats,which consist of sections by section.This requirement of rhythmic averaging has affected his translation skills and characteristics.展开更多
文摘The paper studies the Chapter One of Janggar sung by Janggar Rapist Arimpil from a narratological point of view in terms of characters,background and events.Arimpil sings the chapter with a combination of static and dynamic descriptions,prolepsis and recapitulation,utilizing summary,scene,and pause to frame the narrative rhythm of the text.This fully reflects the high level of his singing skills and unique style.
文摘The rhythm of Praise of Shakyamuni translated by Mergen Gegen Lobangdambizalsan is based on repeating beats,which consist of sections by section.This requirement of rhythmic averaging has affected his translation skills and characteristics.
