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Behind "Pop Songs Between 1930s and 1940s in Shanghai" Aesthetic Release of Eros Utopia
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作者 ZHOU Xiaoyan cang kaiyan ZHOU Hanlu 《Journal of Literature and Art Studies》 2016年第12期1545-1548,共4页
"Pop Songs between 1930s and 1940s in Shanghai" contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ... "Pop Songs between 1930s and 1940s in Shanghai" contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to "Pop Songs between 1930s and 1940s in Shanghai". After 2010, the utopian change of such songs is closely related to the contradiction between "aesthetic imagination and reality", and "individual interest and integrated social interest" that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance. 展开更多
关键词 Shanghai Oldies (Pop Songs between 1930s and 1940s in Shanghai) aesthetic utopia internal contradiction
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西方艺术观念与东方哲学的碰撞 被引量:1
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作者 伊娃·科藤 仓恺延 周晓燕 《上海文化》 CSSCI 2021年第10期37-45,共9页
本文探讨"一般美学与当代德国研究路径"和"中国美学与艺术"的关系。作者在艺术家的实践基础上结合艺术史和艺术哲学的有关知识,讲述了过去几年中与中国和日本艺术相遇的经历,以立体主义的认识维度为出发点,提出了... 本文探讨"一般美学与当代德国研究路径"和"中国美学与艺术"的关系。作者在艺术家的实践基础上结合艺术史和艺术哲学的有关知识,讲述了过去几年中与中国和日本艺术相遇的经历,以立体主义的认识维度为出发点,提出了对美国艺术家贾斯珀·约翰斯(Jasper Johns)的总体评价,并对他的重要作品《无题》(Untitled)进行分析,进一步聚焦当代社会的一个关键主题:可持续性。中国当代艺术的状况激发了作者提出这一思考。 展开更多
关键词 立体主义 贾斯珀·约翰斯 《无题》 可持续性 中国当代艺术
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