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Mortality and motivations: Clinicians’ integrity engaging death within complex cultural context
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作者 christopher jenner 《Open Journal of Nursing》 2013年第1期86-94,共9页
This broad ranging discussion examines the clinical encounter and deconstructs psychological and cultural context and implications, finally honoring the comprehensive awareness that the clinician requires for best pra... This broad ranging discussion examines the clinical encounter and deconstructs psychological and cultural context and implications, finally honoring the comprehensive awareness that the clinician requires for best practice in encountering mortality. Clinicians engage client disease and dying presentions, and ultimate mortality. Communicating mortality openly or subliminally is not always conscious. Mortality awareness can produce stress and untoward behaviors. Psychological mortality avoidance, citing Kierke-gaard’s existential paradox, and the death (in both senses) of Joseph Campbell’s cultural hero illumine socio-cultural elements including the elusive “good death”, sequestration of death from society, and the concept of managing death in volume. Cultural diversity awareness and the concept of transcendence clarify outlier and hybrid cultural client presentations demanding maximal clinician flexibility. Mortality Salience Theory predicts contracted world view when confronted with mortality, demanding sensitivity to a variety of responses. A hospice approach may not be best for some, despite a lack of new alternative to that paradigm. Managing mortality awareness and dying stresses the clinician by the weight and loneliness of perhaps unpopular decisions, by responsibility to community in managing death, and by the take-home exposure of the clinician’s family to the concept of death and mortality. Aptitude for managing death depends on clinician self awareness and a good match with practice venue. Clinician integrity and consciousness of motives and responses allows engagement or deferral as necessary without threat to identity. 展开更多
关键词 DEATH AVOIDANCE MORTALITY Cultural AWARENESS
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家具还是主角吗?
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作者 Yen Michael franke christopher jenner 《艺术与设计》 2017年第5期34-41,共8页
说到底,米兰家具展终究是一场“家具展”——请不要将其改称为“设计周”一能够让展位位于RhoFiera主会场依然是各界人士进行最新家具探索和订购的重点之地。
关键词 家具展 家居生活 室内装饰 发展现状
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伦敦Penhaligon's香料店
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作者 christopher jenner 谢作标 《现代装饰》 2013年第7期80-83,共4页
Penhallgon's香料店位于因古典建筑而闻名的伦敦Regent街。而Penhaligon's是一家创立于1870年的英式香料店,并且后人很好地继承了这家创意香料店的丰富文化遗产,在挑战艺术传统表达方式的同时,寻求阐述香料店高雅品位的新途径。此项... Penhallgon's香料店位于因古典建筑而闻名的伦敦Regent街。而Penhaligon's是一家创立于1870年的英式香料店,并且后人很好地继承了这家创意香料店的丰富文化遗产,在挑战艺术传统表达方式的同时,寻求阐述香料店高雅品位的新途径。此项目的设计,ChristopherJenner将英国传统建筑遗产以标新立异的风格进行表现,并且综合运用传统英式手工艺和高科技生产工艺中的一系列图案、形态和纹理,将其打造成美学价值观的混合体。 展开更多
关键词 香料 古典建筑 文化遗产 建筑遗产 生产工艺 综合运用 传统 高科技
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重回维多利亚时代——伦敦diptyque香水店
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作者 christopher jenner Michael Franke 《中国建筑装饰装修》 2012年第11期74-77,共4页
Leadenhall Market是伦敦著名的市集.置身这里会让你有种重回维多利亚时代的错觉。Jenl3er Studio将法国的diptyque香水品牌带入19世纪末的伦敦,时代的碰撞,给人以全新体验。这是设计师ChristopherJenner与巴黎著名香水品牌diptyque... Leadenhall Market是伦敦著名的市集.置身这里会让你有种重回维多利亚时代的错觉。Jenl3er Studio将法国的diptyque香水品牌带入19世纪末的伦敦,时代的碰撞,给人以全新体验。这是设计师ChristopherJenner与巴黎著名香水品牌diptyque的再次合作。ChristopherJenner将他最具特色的设计手法“碎片分析”运用到了diptyque品牌中.同时与经典的维多利亚式建筑和设计传统紧密相连.设计的灵感来自于英式图案和法式奢华的内部空间。 展开更多
关键词 香水品牌 维多利亚 伦敦 19世纪末 设计师 内部空间 设计手法 建筑
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