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On the Dual “Defamiliarization” Method and Its Source in Pale Fire
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作者 ZHAO Hong-jun gulidiyaer dilimulati 《Journal of Literature and Art Studies》 2021年第3期158-160,共3页
Nabokov believes that “art is a method by which the writer is able to cause a special aesthetic experience among thereader”;language, structure, style and other means of expression are always more important than the... Nabokov believes that “art is a method by which the writer is able to cause a special aesthetic experience among thereader”;language, structure, style and other means of expression are always more important than the plot of thework. We can find a vivid embodiment of this creation view in Pale Fire. Because of the method“defamiliarization”, the aesthetics of the whole novel is expressed in three key steps: the introduction of poeticambiguity on Shade’s poem;an explanation of poetic ambiguity by means of Kinbote’s commentary;regenarationof ambiguity through the suspension of Kinbote’s commentary from Shade’s poetic language. The artistic theme ofambiguity is a manifestation of the author’s hidden feelings for the homeland. Nabokov, as an expatriate Russianwriter, is experiencing not only a deep relationship with his homeland, but also a sense of bitterness from being inexile. His impression and memories of hometown beacame the inspiration for creation. 展开更多
关键词 Pale Fire NABOKOV “defamiliarization” HOMELAND
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