罗如春(以下简称罗):金老师您好!您是国内文艺学、文化研究和文化产业研究领域的重要学者,受《文化研究》集刊委托,特此对您作一专访。我们这里谈的“文化研究”,不是一般意义上的泛泛而谈的对于文化的研究(study of culture),而是特定...罗如春(以下简称罗):金老师您好!您是国内文艺学、文化研究和文化产业研究领域的重要学者,受《文化研究》集刊委托,特此对您作一专访。我们这里谈的“文化研究”,不是一般意义上的泛泛而谈的对于文化的研究(study of culture),而是特定概念意义上的大写的“文化研究”(Cultural Studies)。而前者则是把文化作为研究对象所进行一般性研究,比如,对某个民间文化、地区文化、官场文化、传统文化的研究。后者作为一个特殊概念,主要特指英国伯明翰学派的研究传统,以及后来更广泛的后学研究。展开更多
A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural indus...A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural industries into cultural and creative industries, the priority is economic restructuring, and specifically upgrading low-end manufacturing through creation. From the Internet way of thinking to "Internet+," from theories to practice, high technologies represented by the Internet have deeply integrated with culture, thereby opening a new dimension of innovation and creation to enhance the dynamics of creative industries and a creative economy. The fast-growing maker movement is an excellent strategy for China to develop into a great country of originality. Core contents of this movement include facilitating national originality, achieving leaping development of originality of our cultural and creative industries, promoting Internet celebrity economy, VR, AR, and other new experiments and new forms. What should correspond to "Internet+" and "Maker space" is "Culture+". It is vital to notice that culture, esthetics and ethics are in fact missing in the development of our cultural and creative industries.展开更多
文摘罗如春(以下简称罗):金老师您好!您是国内文艺学、文化研究和文化产业研究领域的重要学者,受《文化研究》集刊委托,特此对您作一专访。我们这里谈的“文化研究”,不是一般意义上的泛泛而谈的对于文化的研究(study of culture),而是特定概念意义上的大写的“文化研究”(Cultural Studies)。而前者则是把文化作为研究对象所进行一般性研究,比如,对某个民间文化、地区文化、官场文化、传统文化的研究。后者作为一个特殊概念,主要特指英国伯明翰学派的研究传统,以及后来更广泛的后学研究。
文摘A creative economy is one of the latest trends in the global cultural economic development, with innovation and creation being the driving force of the global economy and cultural practice. To transform cultural industries into cultural and creative industries, the priority is economic restructuring, and specifically upgrading low-end manufacturing through creation. From the Internet way of thinking to "Internet+," from theories to practice, high technologies represented by the Internet have deeply integrated with culture, thereby opening a new dimension of innovation and creation to enhance the dynamics of creative industries and a creative economy. The fast-growing maker movement is an excellent strategy for China to develop into a great country of originality. Core contents of this movement include facilitating national originality, achieving leaping development of originality of our cultural and creative industries, promoting Internet celebrity economy, VR, AR, and other new experiments and new forms. What should correspond to "Internet+" and "Maker space" is "Culture+". It is vital to notice that culture, esthetics and ethics are in fact missing in the development of our cultural and creative industries.
