Chinese calligraphy is a thousand-year-old writing art. The question of how Chinese calligraphy artworks convey emotion has cast its spell over people for millennia. Calligraphers' joys and sorrows were expressed ...Chinese calligraphy is a thousand-year-old writing art. The question of how Chinese calligraphy artworks convey emotion has cast its spell over people for millennia. Calligraphers' joys and sorrows were expressed in the complexity of the character strokes, style variations and general layouts. Determining how Chinese calligraphy aesthetic patterns emerged from the general layout of artworks is a challenging objective for researchers. Here we investigate the statistical fluctuation structure of Chinese calligraphy characters sizes using characters obtained from the calligraphy artwork "Preface to the Poems Collected from the Orchid Pavilion" which was praised as the best running script under heaven. We found that the character size distribution is a stretched exponential distribution. Moreover, the variations in the local correlation features in character size fluctuations can accurately reflect expressions of the calligrapher's complex feelings. The fractal dimensions of character size fluctuations are close to the Fibonacci sequence. The Fibonacci number is first discovered in the Chinese calligraphy artworks, which inspires the aesthetics of Chinese calligraphy artworks and maybe also provides an approach to creating Chinese calligraphy artworks in multiple genres.展开更多
The Gutenberg-Richter and Omori Laws, which are generally used to characterize the temporal distribution of aftershock, failed to reflect the statistic properties of climatic outbreak of aftershock energy. Based on a ...The Gutenberg-Richter and Omori Laws, which are generally used to characterize the temporal distribution of aftershock, failed to reflect the statistic properties of climatic outbreak of aftershock energy. Based on a new concept of magnitude clusters describing the fluctuation of aftershock energy release of the Wenchuan Earthquake, we discovered that the pattern of the continuous high-magnitude aftershock follows a power-law rather than a non-Poisson distribution. This suggests that the after-shocks with high magnitudes are statistically clustered. We then divided the aftershock sequences into three sections and demonstrated that though the probability of strong outbreaks decreased with time, there exists a high possibility of the occurrence of isolated high-magnitude aftershocks in the future. Based on self-organized criticality theory, the mechanisms of the power-law pattern of magnitude clusters are discussed. This discovery may be used to guide future aftershock predication and the associated post-disaster reconstruction.展开更多
基金funded by the National Natural Science Foundation of China (No. 41465010, 41977245)。
文摘Chinese calligraphy is a thousand-year-old writing art. The question of how Chinese calligraphy artworks convey emotion has cast its spell over people for millennia. Calligraphers' joys and sorrows were expressed in the complexity of the character strokes, style variations and general layouts. Determining how Chinese calligraphy aesthetic patterns emerged from the general layout of artworks is a challenging objective for researchers. Here we investigate the statistical fluctuation structure of Chinese calligraphy characters sizes using characters obtained from the calligraphy artwork "Preface to the Poems Collected from the Orchid Pavilion" which was praised as the best running script under heaven. We found that the character size distribution is a stretched exponential distribution. Moreover, the variations in the local correlation features in character size fluctuations can accurately reflect expressions of the calligrapher's complex feelings. The fractal dimensions of character size fluctuations are close to the Fibonacci sequence. The Fibonacci number is first discovered in the Chinese calligraphy artworks, which inspires the aesthetics of Chinese calligraphy artworks and maybe also provides an approach to creating Chinese calligraphy artworks in multiple genres.
基金supported by State Key Program of National Natural Science of China (Grant No. 41030742)Key Laboratory of Ecotourism’s Application Technology of Hunan Province (Grant No. 10STLVZD03)
文摘The Gutenberg-Richter and Omori Laws, which are generally used to characterize the temporal distribution of aftershock, failed to reflect the statistic properties of climatic outbreak of aftershock energy. Based on a new concept of magnitude clusters describing the fluctuation of aftershock energy release of the Wenchuan Earthquake, we discovered that the pattern of the continuous high-magnitude aftershock follows a power-law rather than a non-Poisson distribution. This suggests that the after-shocks with high magnitudes are statistically clustered. We then divided the aftershock sequences into three sections and demonstrated that though the probability of strong outbreaks decreased with time, there exists a high possibility of the occurrence of isolated high-magnitude aftershocks in the future. Based on self-organized criticality theory, the mechanisms of the power-law pattern of magnitude clusters are discussed. This discovery may be used to guide future aftershock predication and the associated post-disaster reconstruction.
