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Design and Implementation of Indoor Visible Light Positioning System Based on MiniSTM32
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作者 shuxuan zhou Weisong He +1 位作者 Yuan Qin Qian Wu 《Optics and Photonics Journal》 2021年第8期284-293,共10页
<div style="text-align:justify;"> Aiming at the problems of LED-based visible light positioning system such as unstable illumination, Lambertian model transmission limitation, large positioning error, ... <div style="text-align:justify;"> Aiming at the problems of LED-based visible light positioning system such as unstable illumination, Lambertian model transmission limitation, large positioning error, etc., it is proposed to use PWM to drive the LED, use the curve fitting method to obtain the ranging model, and estimate the target position according to the trilateral algorithm. A positioning system platform based on the microcontroller MiniSTM32 was built to test the performance of the transceiver circuit. The experimental results showed that the positioning error of less than 3 cm was achieved in a space of 80 cm × 80 cm × 80 cm. </div> 展开更多
关键词 Light Positioning Curve Fitting MiniSTM32 Trilateral
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Suku and the Self-Valorization of Chinese Women Workers: Before, during, and after Enterprise Privatization 被引量:1
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作者 shuxuan zhou 《Frontiers of History in China》 2015年第1期145-167,共23页
The Chinese Communist Party (CCP) used sulcu (speaking bitterness) in ideological education movements to teach subaltern women to give voice to their personal narratives of oppression in accordance with Maoist pol... The Chinese Communist Party (CCP) used sulcu (speaking bitterness) in ideological education movements to teach subaltern women to give voice to their personal narratives of oppression in accordance with Maoist political doctrine. Suku is thus a historically specific practice and a culturally specific form of women's narrative practice. By listening to and observing the post-Mao suku narrative performance of my grandmother, a retired State-Owned Enterprise (SOE) worker, I show that her suku is a gendered performance, a form of labor that blurs production and reproduction, and a form of embedded personhood; and that suku as a form of narrative persisted through the period of economic reforms, even though its intent and audience became transformed. My kin relationship with this particular suku performance allows an analysis of the impact ofsuku on cross-generational relationships--those between first-generation SOE workers and laid-off SOE workers in former SOE families. Furthermore, I argue that suku can be seen as a form of labor and self-valorization of Chinese women workers discarded in the new economy, and contrary to its original disciplinary purposes, as a form of resistance. 展开更多
关键词 SUKU speaking bitterness women's narrative state-ownedenterprise labor oral history gender
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