From a hermeneutic and comparative perspective,the purpose of this paper is to discuss investigative paths of ethnological and ethnographic aspects in Nietzsche’s writings that became relevant for different elaborati...From a hermeneutic and comparative perspective,the purpose of this paper is to discuss investigative paths of ethnological and ethnographic aspects in Nietzsche’s writings that became relevant for different elaborations of the concept of synthesis in specific thought cycles of his work.In a first step,these aspects are verified in his school,philological and philosophical texts,described in relation to his studies on ancient Greek culture and compared under the parameter of the different conceptions of synthesis developed by him in each identified phase.Subsequently,the concept of synthesis is discussed as physiology(considering body,consciousness,and language),explaining human life as a creative expression of nature itself.With this explanation,it becomes possible to understand the processes related to the concept of synthesis as the task of those he terms as good Europeans,and the great politics in his philosophy of the future.The identification between the feeling of resistance(Widerstandsgefühl)and the imminence point of the preliminary stage of dominion structures(Herschafts-Gebilde)in the last analyzed conception of synthesis is the logical and ethical path towards the demonstration intended here.The article concludes by demonstrating the creative and dynamic character of the metaphilosophical scope of the task proposed by him in the mid-1880s and the possibilities opened up from then on for future discussions of culture,aesthetics,knowledge,logic,ethics,and politics.展开更多
文摘From a hermeneutic and comparative perspective,the purpose of this paper is to discuss investigative paths of ethnological and ethnographic aspects in Nietzsche’s writings that became relevant for different elaborations of the concept of synthesis in specific thought cycles of his work.In a first step,these aspects are verified in his school,philological and philosophical texts,described in relation to his studies on ancient Greek culture and compared under the parameter of the different conceptions of synthesis developed by him in each identified phase.Subsequently,the concept of synthesis is discussed as physiology(considering body,consciousness,and language),explaining human life as a creative expression of nature itself.With this explanation,it becomes possible to understand the processes related to the concept of synthesis as the task of those he terms as good Europeans,and the great politics in his philosophy of the future.The identification between the feeling of resistance(Widerstandsgefühl)and the imminence point of the preliminary stage of dominion structures(Herschafts-Gebilde)in the last analyzed conception of synthesis is the logical and ethical path towards the demonstration intended here.The article concludes by demonstrating the creative and dynamic character of the metaphilosophical scope of the task proposed by him in the mid-1880s and the possibilities opened up from then on for future discussions of culture,aesthetics,knowledge,logic,ethics,and politics.
