On February 22z a national dance drama 一 A wakening Lion , which was created by the Guangzhou Song and Dance Theater, was again staged in the Guangzhou Opera House.The dance drama consists of the background of Sanyua...On February 22z a national dance drama 一 A wakening Lion , which was created by the Guangzhou Song and Dance Theater, was again staged in the Guangzhou Opera House.The dance drama consists of the background of Sanyuanli Struggle against British Invaders and the core element of the national intangible cultural heritage ——Cantonese lion dance. It won the 11^th Lotus Dance Award in December 2018. And it was popular with young audiences. When it was performed firstly to the public, the tickets were quickly sold out.展开更多
The last decade might be called the ＂Golden Age＂for Kunqu Opera. In 2001 Kunqu Opera was included in the UNESCO List of lntangible Cultural Heritage of Humanity and then gradually presented through market operation....The last decade might be called the ＂Golden Age＂for Kunqu Opera. In 2001 Kunqu Opera was included in the UNESCO List of lntangible Cultural Heritage of Humanity and then gradually presented through market operation. It is no longer an ＂art confined in museum＂ but has been continued and developed in an active manner. Policies and market have provided opportunities for the development o fKunqu Opera. What next？ Bai Xianyong, producer of the youth version of The Peony Pavilion, may give us some useful insights.展开更多
文摘On February 22z a national dance drama 一 A wakening Lion , which was created by the Guangzhou Song and Dance Theater, was again staged in the Guangzhou Opera House.The dance drama consists of the background of Sanyuanli Struggle against British Invaders and the core element of the national intangible cultural heritage ——Cantonese lion dance. It won the 11^th Lotus Dance Award in December 2018. And it was popular with young audiences. When it was performed firstly to the public, the tickets were quickly sold out.
文摘The last decade might be called the ＂Golden Age＂for Kunqu Opera. In 2001 Kunqu Opera was included in the UNESCO List of lntangible Cultural Heritage of Humanity and then gradually presented through market operation. It is no longer an ＂art confined in museum＂ but has been continued and developed in an active manner. Policies and market have provided opportunities for the development o fKunqu Opera. What next？ Bai Xianyong, producer of the youth version of The Peony Pavilion, may give us some useful insights.
