This paper is about the results of the project, ＂The Music in Uludag University from Asia to Balkans＂. In this project, cultures and traditional music of foreign students who are educated in Uludag University were s...This paper is about the results of the project, ＂The Music in Uludag University from Asia to Balkans＂. In this project, cultures and traditional music of foreign students who are educated in Uludag University were searched. The students who also play or sing their music were chosen from Indonesia, Republic of Bashkortostan, Afghanistan, Pakistan, Egypt, Morocco, Ethiopia, Macedonia, Albania, Kosovo, and Bosnia Herzegovina. They had studied and practiced music for six weeks. In May 2015, they introduced their music with big organization host in campus concert hall organized by Uludag University, Turkish State and Relatives Community Applications and Research Center. These chosen students introduced their countries with their music and at the end of the concert in this research the outcomes and results of multicultural activity were examined. This paper was presented at 2015 West East Institute Academic Conference and the full paper was published at proceeding book.展开更多
＂Variations＂ is one of the main musical forms in compositional process. Johannes Brahms is one of the most important Romantic composers that used this form. Variations and Fugue on a Theme by Handel, Op. 24, （Op. 2...＂Variations＂ is one of the main musical forms in compositional process. Johannes Brahms is one of the most important Romantic composers that used this form. Variations and Fugue on a Theme by Handel, Op. 24, （Op. 24, 1862） is a piece that Johannes Brahms wrote for solo piano in a highly creative style, which was classically arranged. Brahms took the theme from an aria in George Frederic Handel＇s Harpsichord Suite in B-flat major, HWV 434 （1733）. In Handel＇s work, the original theme was turned into five variations. With the purpose of exploring chromatic possibilities after the piano was developed from harpsichord, Brahms made 25 magnificent variations with an extensive fugue in his work. The purpose of this work is to prepare an explanatory document for pianists who intend to perform this piece and who are not familiar with such work. Also, it is hoped that piano performers will find explanatory points in this composition （e.g., stylistic characteristics） through comparisons with his other variations and start performing it more frequently展开更多
文摘This paper is about the results of the project, ＂The Music in Uludag University from Asia to Balkans＂. In this project, cultures and traditional music of foreign students who are educated in Uludag University were searched. The students who also play or sing their music were chosen from Indonesia, Republic of Bashkortostan, Afghanistan, Pakistan, Egypt, Morocco, Ethiopia, Macedonia, Albania, Kosovo, and Bosnia Herzegovina. They had studied and practiced music for six weeks. In May 2015, they introduced their music with big organization host in campus concert hall organized by Uludag University, Turkish State and Relatives Community Applications and Research Center. These chosen students introduced their countries with their music and at the end of the concert in this research the outcomes and results of multicultural activity were examined. This paper was presented at 2015 West East Institute Academic Conference and the full paper was published at proceeding book.
文摘＂Variations＂ is one of the main musical forms in compositional process. Johannes Brahms is one of the most important Romantic composers that used this form. Variations and Fugue on a Theme by Handel, Op. 24, （Op. 24, 1862） is a piece that Johannes Brahms wrote for solo piano in a highly creative style, which was classically arranged. Brahms took the theme from an aria in George Frederic Handel＇s Harpsichord Suite in B-flat major, HWV 434 （1733）. In Handel＇s work, the original theme was turned into five variations. With the purpose of exploring chromatic possibilities after the piano was developed from harpsichord, Brahms made 25 magnificent variations with an extensive fugue in his work. The purpose of this work is to prepare an explanatory document for pianists who intend to perform this piece and who are not familiar with such work. Also, it is hoped that piano performers will find explanatory points in this composition （e.g., stylistic characteristics） through comparisons with his other variations and start performing it more frequently
