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Deconstruction and Reconstruction—The Formation and Evolution of the Pattern of Discourse of May Fourth Literature
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《Social Sciences in China》 2001年第1期163-174,共12页
关键词 Deconstruction and Reconstruction The Formation and Evolution of the Pattern of Discourse of may fourth literature
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May Fourth Literary Tradition and the Transformation of Chinese Literature in the 1930s
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作者 朱晓进 《Social Sciences in China》 2010年第3期69-83,共15页
The May Fourth movement that ushered in China’s modern literature constitutes a central and inexhaustible tradition and topic. This paper proceeds from the Chinese literary community’s reflections on the May Fourth ... The May Fourth movement that ushered in China’s modern literature constitutes a central and inexhaustible tradition and topic. This paper proceeds from the Chinese literary community’s reflections on the May Fourth literary tradition to explore the different aims, methods and perspectives of the May Fourth and 1930s literature through the interpretations and evaluations of each period. May Fourth literature followed a humanist approach while that of the 1930s took a social sciences approach. This point can provide us with a correct and rational explanation of the different interpretations and evaluations of the two periods and their complex entanglement. Furthermore, by examining the differences in approach of the two periods, we can look back over the May Fourth literary tradition and gain a better grasp of the transformation of literature in the 1930s, and thus sum up the experience and lessons of the literary tradition of both periods. 展开更多
关键词 tradition of the may fourth literature literature in the 1930s transformation of literature humanist approach social sciences approach
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New Ethics and Old Roles:The Identity Dilemma of May Fourth New Women
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作者 杨联芬 《Social Sciences in China》 2012年第1期71-91,共21页
五四新女性是在学校这一现代教育平台由新文化启蒙话语塑造而成,她们的意识形态认同来自新文化,是以个人主义为核心的正义伦理;而她们的性别认同及相应的关怀伦理,却使其对"旧道德"下的女性同类有更多同情。为实现个人权利、... 五四新女性是在学校这一现代教育平台由新文化启蒙话语塑造而成,她们的意识形态认同来自新文化,是以个人主义为核心的正义伦理;而她们的性别认同及相应的关怀伦理,却使其对"旧道德"下的女性同类有更多同情。为实现个人权利、维护神圣恋爱,她们"忽略"名分、委屈尊严,在新旧道德的模糊地带与有妇之夫结成特殊婚姻。而非正常婚姻关系的缺憾,爱情中隐含的性别等级,个人自由与关怀伦理的对立与冲突等,都导致她们陷入认同危机。新女性身份认同的困境,体现了"五四"正义伦理的道德局限,而五四文学表达的某种匮乏,亦源自这个局限。 展开更多
关键词 may fourth literature new women identity ethics of justice ethics of care
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Female Relations: Voiceless Women in "Liuyi jie" and "Zhufu" 被引量:1
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作者 G. Andrew Stuckey 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2017年第3期488-509,共22页
Although the notion of the new woman in modern China has received much scholarly consideration, her usually illiterate rural sister has not received nearly as much critical attention. With the exception of Lu Xun's i... Although the notion of the new woman in modern China has received much scholarly consideration, her usually illiterate rural sister has not received nearly as much critical attention. With the exception of Lu Xun's iconic Xianglin sao--from his 1924 story "Zhufu" (The New Year's Sacrifice)--almost no depictions of traditional women have been critically appraised in current scholarship. This seems unfortunate when such women can be considered to be both the opposite of and the raw material from which the new woman would spring. This article seeks to begin to address this question by juxtaposing Xianglin sao with another more unfamiliar May Fourth depiction of a rural woman: Liuyi jie (from Bing Xin's story of the same name). By situating Liuyi jie and Xianglin sao firmly within the family structure, the resulting comparison of both stories reveals the structural obstacles that inhibited traditional women from becoming fully active subjects in the new China. The comparison also shows how the May Fourth project established a new woman, one capable of ushering in a newly modern China, whose very existence relies on the discursive silencing of old-style women unable to make this modern transition. 展开更多
关键词 Lu Xun Bing Xin old-style women may fourth literature
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