In the Retiro, ＂El Lucero＂ county, Maule, VII Region of Chile, an application of a marine algae extract known as Ascophilliurn nodosum, whose commercial name is Ekologik~, was evaluated by applying it to the whole f...In the Retiro, ＂El Lucero＂ county, Maule, VII Region of Chile, an application of a marine algae extract known as Ascophilliurn nodosum, whose commercial name is Ekologik~, was evaluated by applying it to the whole foliage in order to evaluate the impact on total weight, average weight, equatorial diameter and soluble solids in cv. O＇Neal blueberries harvested in a three-year old orchard having a plantation density of 3,333 plants hal. The marine algae extract was applied in three phenologic phases： full bloom, fruit set and fruit color break. Four treatments were conducted： To, application of pure water （without the product）; T1, a 280 mL ha1 dose per application; T2, a 140 mL ha^-1 dose, equivalent to 50% of the treatment dose T1; and T3, a 420 mL ha^-1 dose, equivalent to a 50% extra than the treatment dose T1. The experimental design comprised sutb-sampling blocks with three repetitions of three uniform and healthy plants per treatment. Regarding the total and average fruit weight, they did not show significant statistical differences, but an increase in the average weight of fruits treated with the aforementioned product was observed. For parameters such as equatorial diameter, caliper and soluble solids of harvested fruit, the product caused a statistically significant increase. T3 was found to be the best treatment with a 15% weight, increasing taste, sugar amount, size and weight of the harvested fruits.展开更多
This study is about Eugene O＇Neill＇s use of ＂medusation＂ as an effective metatheatrical device and foremost achievement in his art. Occurring onstage as an unexpected ＂anagnorisis＂, the medusation is a traumatic...This study is about Eugene O＇Neill＇s use of ＂medusation＂ as an effective metatheatrical device and foremost achievement in his art. Occurring onstage as an unexpected ＂anagnorisis＂, the medusation is a traumatic experience that engenders ritual death. This author argues that the medusation is a quintessentially metatheatrical act, insomuch as here O＇Neill carries out a commentary on the function and functioning of theatre, through the consciously fictitious events that unfold on the stage. In the ＂Introduction＂, the author reviews its development in O＇Neill＇s plays, from the more traditional melodramatic situations of the early works to the subsequent portrayal of a self-defeating pattern calling for psychological violence and symbolic death. In the section called ＂Medusation＂, the author addresses the concept of medusation in order to account for the process whereby O＇Neill＇s people, annihilated by their sudden glimpses into the other within themselves, undergo major physical and spiritual change In ＂Case Studies＂, the author analyzes the chief correlatives of medusation： the dead-in-life, the death mask and the dead double. The author＇s point in this paper is, thus, to show how extensively and pervasively O＇Neill deploys medusation in order to signify a rite of passage that engenders metatheatrical death. Its outcome may either be the perpetuation of an endless spiral of violence and self-defeat, or a premise for rebirth arising from the characters＇ assumption of responsibility as to their share of guilt in the evil of the world, together with the renewed human sympathy and understanding that this awareness brings along展开更多
In Desire Under the Elms, Eugene O＇Neill not only adopts some elements from Greek tragedies, but brings more different ideas for readers, such as supernaturalism, and the degeneration of the tragic heroes or the peas...In Desire Under the Elms, Eugene O＇Neill not only adopts some elements from Greek tragedies, but brings more different ideas for readers, such as supernaturalism, and the degeneration of the tragic heroes or the peasant like language and sets more comic elements. Under his powerful pen, a marvelous drama is displayed before the audience, which combines the traditional elements and modem creations perfectly. This paper aims to explore the important elements in the play and compare those with what are used in Desire Under the Elms so as to draw the conclusion that Eugene O＇Neill not only uses the traditional written skills but also improves the development and inheritance of Greek tragedies.展开更多
文摘In the Retiro, ＂El Lucero＂ county, Maule, VII Region of Chile, an application of a marine algae extract known as Ascophilliurn nodosum, whose commercial name is Ekologik~, was evaluated by applying it to the whole foliage in order to evaluate the impact on total weight, average weight, equatorial diameter and soluble solids in cv. O＇Neal blueberries harvested in a three-year old orchard having a plantation density of 3,333 plants hal. The marine algae extract was applied in three phenologic phases： full bloom, fruit set and fruit color break. Four treatments were conducted： To, application of pure water （without the product）; T1, a 280 mL ha1 dose per application; T2, a 140 mL ha^-1 dose, equivalent to 50% of the treatment dose T1; and T3, a 420 mL ha^-1 dose, equivalent to a 50% extra than the treatment dose T1. The experimental design comprised sutb-sampling blocks with three repetitions of three uniform and healthy plants per treatment. Regarding the total and average fruit weight, they did not show significant statistical differences, but an increase in the average weight of fruits treated with the aforementioned product was observed. For parameters such as equatorial diameter, caliper and soluble solids of harvested fruit, the product caused a statistically significant increase. T3 was found to be the best treatment with a 15% weight, increasing taste, sugar amount, size and weight of the harvested fruits.
文摘This study is about Eugene O＇Neill＇s use of ＂medusation＂ as an effective metatheatrical device and foremost achievement in his art. Occurring onstage as an unexpected ＂anagnorisis＂, the medusation is a traumatic experience that engenders ritual death. This author argues that the medusation is a quintessentially metatheatrical act, insomuch as here O＇Neill carries out a commentary on the function and functioning of theatre, through the consciously fictitious events that unfold on the stage. In the ＂Introduction＂, the author reviews its development in O＇Neill＇s plays, from the more traditional melodramatic situations of the early works to the subsequent portrayal of a self-defeating pattern calling for psychological violence and symbolic death. In the section called ＂Medusation＂, the author addresses the concept of medusation in order to account for the process whereby O＇Neill＇s people, annihilated by their sudden glimpses into the other within themselves, undergo major physical and spiritual change In ＂Case Studies＂, the author analyzes the chief correlatives of medusation： the dead-in-life, the death mask and the dead double. The author＇s point in this paper is, thus, to show how extensively and pervasively O＇Neill deploys medusation in order to signify a rite of passage that engenders metatheatrical death. Its outcome may either be the perpetuation of an endless spiral of violence and self-defeat, or a premise for rebirth arising from the characters＇ assumption of responsibility as to their share of guilt in the evil of the world, together with the renewed human sympathy and understanding that this awareness brings along
文摘In Desire Under the Elms, Eugene O＇Neill not only adopts some elements from Greek tragedies, but brings more different ideas for readers, such as supernaturalism, and the degeneration of the tragic heroes or the peasant like language and sets more comic elements. Under his powerful pen, a marvelous drama is displayed before the audience, which combines the traditional elements and modem creations perfectly. This paper aims to explore the important elements in the play and compare those with what are used in Desire Under the Elms so as to draw the conclusion that Eugene O＇Neill not only uses the traditional written skills but also improves the development and inheritance of Greek tragedies.
