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“祖先在上”:我国传统文化遗续中的“崇高性”——兼与巫鸿的“纪念碑性”商讨 被引量:18
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作者 彭兆荣 《思想战线》 CSSCI 北大核心 2014年第1期1-6,共6页
在我国传统的文化遗产体系中,"崇高性"值得特别提示和重视。崇高性的认知逻辑为"天人合一",这是我国传统价值的核心所在,集中体现在如祖、社作为传承纽带上,在"天—人"关系中同构为一个具有崇高价值的叙... 在我国传统的文化遗产体系中,"崇高性"值得特别提示和重视。崇高性的认知逻辑为"天人合一",这是我国传统价值的核心所在,集中体现在如祖、社作为传承纽带上,在"天—人"关系中同构为一个具有崇高价值的叙事共同体和表述范式。然而,近代以降,西方的资本主义、殖民主义、科技主义、物质主义等的陆续"东渐",将我国传统文化遗产中的"崇高性"拦腰阻截,横亘出利益至上的价值趋势,致使其受到毁灭性破坏,当今中国的许多社会问题皆与之有涉。因此,阐明崇高性不啻是对中国传统价值的重新链接。巫鸿先生比较西方的"废墟"等特点,将中国古代艺术的文化传统特质归纳为纪念碑性,值得商讨。 展开更多
关键词 崇高性 祖宗 () 纪念碑性
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Reality in Ruins Before and After the Catastrophe: The Case of Two Contemporary Polish Novels
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作者 Katarzyna Trzeciak 《Journal of Philosophy Study》 2014年第2期142-147,共6页
This article explores the problematic status of reality before and after Holocaust. Taking two different Polish novels as examples, the author deals with the metaphor of ruins, remains, and ashes to define the ontolog... This article explores the problematic status of reality before and after Holocaust. Taking two different Polish novels as examples, the author deals with the metaphor of ruins, remains, and ashes to define the ontological status of the world in two texts. In the first text, Piotr Szewc's annihilation brings the positive vision of ruin as a kind of fragile and finite being which needs love and care. In the second text, Piotr Pazinski's Pensjonat shows that ruin is only a negative aspect of reality which is illegible and empty. The main concern of the text is to oppose those two visions and make a conclusion about the dialectic of the ruin. 展开更多
关键词 ruins HOLOCAUST memory ETHIC DIALECTIC
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PEKING OPERA MEETS WESTERN CLASSICS
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作者 Ji Jing 《Beijing Review》 2016年第22期22-23,共2页
Avant-garde director seeks to interpret Western plays from a traditional Chinese perspective In a desolate wasteland,sits a small mound overhung with boughs.The stage is set for a Chinese version of Waiting for Godot,... Avant-garde director seeks to interpret Western plays from a traditional Chinese perspective In a desolate wasteland,sits a small mound overhung with boughs.The stage is set for a Chinese version of Waiting for Godot,presented by the Contemporary Legend Theater from Taiwan at the Tianqiao Performing Arts Center in Beijing on May 15. 展开更多
关键词 director Theater Peking interpret morethan himself ticket revenue Taiwan translated
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