Under the background of binary opposition of modern philosophy and aesthetics, Hegel takes ＂spirit＂ as the startingpoint and aims to achieve the reconciliation between binaries through the dialectical development of...Under the background of binary opposition of modern philosophy and aesthetics, Hegel takes ＂spirit＂ as the startingpoint and aims to achieve the reconciliation between binaries through the dialectical development of spirit. At thesame time, this process also makes spirit reach its own self-consciousness and self-realization. Among manyoppositions and contradictions, one of the key issues that Hegel attempts to deal with is the relationship betweenindividuality and universality in spirit. In Hegel＇s view, spirit is universal self-consciousness, a unity ofindividuality and universality. Consistent with his philosophy, the task of his aesthetics is also to reconcileuniversality and individuality in spirit. In Aesthetics, this settlement is mainly reflected in three aspects, namely theunity of content and form, the unity of the general world situation, and the character and finally the unity ofsubjective artistic creation and objective performance. In this way, Hegel＇s Aesthetics bridges the distance betweenindividuality and universality, achieving the goal of self-consciousness and self-realization in spirit, thus giving hisresponse to the problem of binary opposition caused by modern philosophy and aesthetics.展开更多
Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideol...Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideologies contained in his poetries.On this basis,it had discussed the influence of aesthetic ideology of TAO Yuan-ming on the style of classical gardens in South China,which were quiet and natural,elegant and fresh,simple and plain,and far-reaching in artistic conception.By combining with cases,it pointed out that the poetic prose had been directly quoted as the names of gardens or scenic spots of classical gardens in South China,and showed that the aesthetic ideology of TAO Yuan-ming had set up a successful ideal model for cultural landscapes,producing far-reaching influence on the aesthetic state of mind of gardeners or owners of gardens,further instilling humanistic spirit into classical gardens in South China.展开更多
文摘Under the background of binary opposition of modern philosophy and aesthetics, Hegel takes ＂spirit＂ as the startingpoint and aims to achieve the reconciliation between binaries through the dialectical development of spirit. At thesame time, this process also makes spirit reach its own self-consciousness and self-realization. Among manyoppositions and contradictions, one of the key issues that Hegel attempts to deal with is the relationship betweenindividuality and universality in spirit. In Hegel＇s view, spirit is universal self-consciousness, a unity ofindividuality and universality. Consistent with his philosophy, the task of his aesthetics is also to reconcileuniversality and individuality in spirit. In Aesthetics, this settlement is mainly reflected in three aspects, namely theunity of content and form, the unity of the general world situation, and the character and finally the unity ofsubjective artistic creation and objective performance. In this way, Hegel＇s Aesthetics bridges the distance betweenindividuality and universality, achieving the goal of self-consciousness and self-realization in spirit, thus giving hisresponse to the problem of binary opposition caused by modern philosophy and aesthetics.
基金Supported by Fund for Scientific Research of Nanjing University of Finance and Economics (B2010017)~~
文摘Based on the contents and temperament of pastoral poetries written by TAO Yuan-ming,by centering on respecting the nature,indifference and optimism,and plainness and authenticity,the paper had analyzed aesthetic ideologies contained in his poetries.On this basis,it had discussed the influence of aesthetic ideology of TAO Yuan-ming on the style of classical gardens in South China,which were quiet and natural,elegant and fresh,simple and plain,and far-reaching in artistic conception.By combining with cases,it pointed out that the poetic prose had been directly quoted as the names of gardens or scenic spots of classical gardens in South China,and showed that the aesthetic ideology of TAO Yuan-ming had set up a successful ideal model for cultural landscapes,producing far-reaching influence on the aesthetic state of mind of gardeners or owners of gardens,further instilling humanistic spirit into classical gardens in South China.
