“Chineseness”:A Discussion on Cases Related to Tulou in Contemporary Chinese Architecture

The article delves into the concept of“Chineseness”in contemporary Chinese architecture,a strategic tool for creating distinctive styles rooted in Chinese identity.It serves not only to distinguish projects from market-driven trends but also to establish a pivotal position in the global architectural landscape.“Chineseness”among 24 identified keywords represents a practical strategy embraced by many young architects with international exposure.The traditional Chinese dwelling,a symbol of familial and cultural essence,particularly in the context of home culture,is a primary inspiration for contemporary architects.The research adopts a case study approach,focusing on Tulou-related cases from the last fifteen years,encompassing various building types.The Tulou,a mountain-dwelling with rich cultural connotations,is introduced,reflecting ancient Chinese philosophies in its architectural principles.The case studies,including URBANUS’s“Tulou Collective Housing 2008”and Chengdu’s“Tulou Theater,”demonstrate how Tulou prototypes can be creatively adapted.These designs not only replicate forms but also capture the communal spirit inherent in traditional dwellings.“Stepped Courtyards”by OPEN Architecture reinterprets Tulou typology for a staff dormitory,emphasizing community awareness.In conclusion,the concept of“Chineseness”emerges as a prominent topic,showcasing the dynamic and adaptable nature of traditional Chinese culture and modern architectural expressions.The cases illustrate the evolving intersection between traditional Chinese culture and modern architecture,offering insights into the future trajectory of Chinese architectural culture.The interrelated keywords highlight the nuanced and evolving nature of“Chineseness”in architectural practices.

Interpretation,Construction and Exhibition-Seeking the Positive Significance of Ancient Architecture Model Making in the Teaching of History of Chinese Architecture

On the basis of a special project for teaching reform, in order to change the boring and dull situation of History of Chinese Architecture in students, ancient architecture model was introduced in the teaching process of the pure history course. Through the interpretation, construction, and exhibition stages,the ability of students in grasping the knowledge of architecture history can be strengthened. Then, from the historical background, physical composition, artistic conception of space, structural system, detailed structure, and architectural evolution, the positive significance of ancient architecture model to the teaching of the History of Chinese Architecture was discussed, in the hope of providing certain theoretical basis for the teaching of the History of Chinese Architecture.

The Architecture and Recognition Engine of a Chinese Pen-based Personal Data Assistant

The architecture and recognition engine of a newly-developed pen-based Chinese personal data assistant (PDA) are described in this paper. The PDA’s design principles of hardware and software architectures, basic features, and on-line Chinese handwritten character recognition system, are discussed in particular. Based on the architecture and recognition engine proposed in this paper, the first generation of pen-based Chinese PDA has been worked out and put into mass production.

Multi-source data-based 3D digital preservation of large scale ancient chinese architecture:A case report

The 3D digitalization and documentation of ancient Chinese architecture is challenging because of architectural complexity and structural delicacy.To generate complete and detailed models of this architecture,it is better to acquire,process,and fuse multi-source data instead of single-source data.In this paper,we describe our work on 3D digital preservation of ancient Chinese architecture based on multi source data.We first briefly introduce two surveyed ancient Chinese temples,Foguang Temple and Nanchan Temple.Then,we report the data acquisition equipment we used and the multi-source data we acquired.Finally,we provide an overview of several applications we conducted based on the acquired data,including ground and aerial image fusion,image and LiDAR(light detection and ranging)data fusion,and architectural scene surface reconstruction and semantic modeling.We believe that it is necessary to involve multi-source data for the 3D digital preservation of ancient Chinese architecture,and that the work in this paper will serve as a heuristic guideline for the related research communities.

Poetic and Pictorial Splendor-Expression of Traditional Chinese Literati in Chinese Architecture

The expression of traditional Chinese literati is based on connection, seeking emotion and harmony. With various forms, though, this style of expression shares the same value in some art forms, like traditional Chinese poetry, calligraphy and paintings, and Chinese architecture. Based on the commonalities of various forms of literature and art, this paper offered an insight into Chinese architecture in light of poetic and pictorial expression of traditional Chinese literati. In order to illuminate the corresponding connection between traditional Chinese poetry, calligraphy and paintings, and Chinese architecture, this paper discussed the expression of Chinese architecture corresponding to the essence of traditional Chinese poetry, calligraphy and paintings respectively from the perspective of philosophy, aesthetics, and culture study of Chinese architecture. Via analogous analysis, which includes the analogy between the emotion of architecture and the feelings in traditional poetry, the analogy between the order of architecture and the spirit of calligraphy, and the analogy between the artistic conception and the picturesque scene, the poetic and pictorial expression of Chinese architecture was clarified. This paper emphasized that Chinese architecture needs to jump out of the concrete image, eradicate the interdisciplinary boundaries, and stress the integration of arts and humanities in a higher level, to express Chinese architecture in a Chinese way. That means making Chinese architecture modern in forms and techniques, and traditional in spirit and artistic conception.

Influence of Chinese and Western Culture on Modern Church Architecture in Yan’an Area

Based on the historical records and field investigation, this paper aims at elaborating the architectural styles, interior space design and architectural landscape of modern church architecture in Yan’an, analyzing the influence of Chinese and western culture on modern church architecture in Yan’an and expounding the historical and cultural value as church architecture, which will play a great role in the protection, inheritance and utilization of modern architecture in Yan’an area.

Gate Culture of Chinese Architecture

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Yijing and Sense-Grammar as Possible Fields for Innovation of Modern English-Language Poetry,with Discussions on the Influence of Chinese Poetry on Ezra Pound and Imagism

尽管庞德和他的同伴们从中国传统诗歌中学到了不少东西,并且因此推动英语诗歌取得了巨大的创新成就,他们还是忽视了中国诗学中的许多精华,这限制了他们在创新方面的进一步发展。中国传统诗学中极有可能进一步推动英语诗歌发展的两个概念是：＂意境＂与＂会意语法＂。＂意境＂乃是由一群巧妙构思的意象所构成的一种五维诗意世界,而不是单个意象或者几个叠置意象,也不是几个按照时间顺序松散连接的意象。＂会意语法＂所反映的是人们在日常生活以及常识的基础上所形成的一种超越语法局限的对语言的理解能力。＂会意语法＂是创作好诗的关键所在,尤其是创作有深厚蕴涵的意境的诗歌的关键所在。

Evolution of Classical Chinese Gardens Based on the Components of Architectural Culture

Based on the structural mode of cultural ecosystem,a structural mode of architectural culture was established in this study by replacing human society,exterior environment and culture in the cultural ecosystem with human activities,architectural environment and architectural culture.Within this mode,architectural engineering technology was in the uttermost layer of the architectural cultural structure,design techniques and written works in the middle layer,and values in the innermost layer.It was applied to analyze the evolution of classical Chinese gardens along the line of dynastic changes,from the perspectives of social consciousness,cultural psychology and aesthetic habit,it was pointed out that classical Chinese gardens have evolved from animal park to landscape garden,from urban residential garden to private garden in the southern regions of the Yangtze River,which also indicated a transition from focusing on exterior forms to stressing practical functions,and such a transition was realized on the basis of social consciousness and values of the time with the help of proper design techniques.

Application of Blank Symbols in Japanese Architecture and Indoor Designs

A symbol is an expression of meaning,while blank symbols express special meanings.By focusing on the application of blank symbols in Japanese architecture and indoor designs,we analyzed the aesthetic principles in Japanese architecture and indoor designs from the perspective of semiotics,such as“Kongji,”“Emptiness,”and“Dying out,”and their minimalist and pure design concepts.Traditional Chinese culture was also further explored,especially the profound influence of the“Chan sect”and the philosophy of“unity of heaven and mankind”on Japanese architecture and designs.This study aims to facilitate the coexistence and mutual appreciation of Chinese and Japanese architectural designs.

Teaching System of Chinese Architectural History Based on the Idea of “Innovation + Practice + Entrepreneurship”

With the introduction of Opinions on Deepening the Reform in Innovation and Entrepreneurship Education in Colleges and Universities issued by the General Office of the State Council, establishing an advanced innovative and entrepreneurial education idea, persisting in cultivation-orientation and comprehensively improving personnel training quality have become an important development direction of higher education, and the innovation and entrepreneurship education reform has provided an impetus for the comprehensive reform in colleges and universities. In this context, how to combine the concept of innovation and entrepreneurship education with the traditional teaching system proves to be an important issue to be considered in the development of colleges and universities. The construction of three teaching platforms for innovation, practice and entrepreneurship enables the idea of innovation and entrepreneurship education to be incorporated into the teaching process of Chinese architectural history, thereby carrying out a systematic, comprehensive, far-reaching teaching system reform. The past several years have witnessed a good teaching effect in University of Science and Technology Liaoning due to the implementation of the teaching system reform. It is hoped that the teaching system reform carried out by University of Science and Technology Liaoning can provide a reference for the teaching of Chinese architectural history.

Reclusive Dwelling Schema of Chinese Landscape Painting:Narrative Medium,Visualization,and Implication

The reclusive dwelling is an important part of the traditional philosophical culture of ancient China.The Chinese spiritual imagery of reclusion is mainly represented by narrative mediums of poems,paintings,and garden works,resulting in artistic visualization with poetic implication.The article analyzed six Chinese landscape paintings of reclusive dwelling theme,in terms of narrative medium,visualization,and implication.The intention is to conclude the reclusive dwelling schema of Chinese landscape painting and study a visualizing methodology involved spiritual implication on dwelling,which could be beneficial to both contemporary art and architectural creations.

Imitation and Innovation——on the Influence of Indo-European Gram mar on Chinese Grammar

The publication of the ten-chapter work Ma Shi Wen Tong by Ma Jianzhong marks the establishment of Chinese grammatical rules.For ages,in a way comparable to what was done in western languages,the study of Chinese grammar tends more or less to imitate Indo-European grammar.This paper made an attempt to discuss the influence produced by Indo-European grammatical theories on Chinese grammar and pointed that Chinese grammatical study is bound to be carried out on the basis of language self characteristics.

A distributed software architecture design framework based on attributed grammar

Software architectures shift the focus of developers from lines-of-code to coarser-grained architectural elements and their overall interconnection structure. There are, however, many features of the distributed software that make the developing methods of distributed software quite different from the traditional ways. Furthermore, the traditional centralized ways with fixed interfaces cannot adapt to the flexible requirements of distributed software. In this paper, the attributed grammar (AG) is extended to refine the characters of distributed software, and a distributed software architecture description language (DSADL) based on attributed grammar is introduced, and then a model of integrated environment for software architecture design is proposed. It can be demonstrated by the practice that DSADL can help the programmers to analyze and design distributed software effectively, so the efficiency of the development can be improved greatly.

A Tentative Analysis of the Origin of Middle Chinese Grammar and Its Historical Position

Middle Chinese is the language used in the period from the Eastern Han Dynasty to the Sui Dynasty. In recent years researches of Middle Chinese have attracted scholars5 attention. While it inherited some characteristics from the grammar of Ancient Chinese, the morphology and syntax of Middle Chinese underwent obvious elimination and new birth, an important content which laid the foundation for the further evolution of the Early Modem Chinese grammar. Numerous grammatical phenomena started to appear in the Tang and Song Dynasties. The grammar was going through a change in which new formsreplaced old ones, thus being the mediator in inheriting the archaic and beginning the early modem grammar, and therefore occupying an important position in the history of Chinese.

A Study on the Traditional Chinese Traditional Architectural Form of Mythological Tradition

Objective Through the metaphorical archetypal spirit and mythological semantics of Chinese character structure, this paper explores the metaphorical mythological gene and the moral order of the Chinese character structure, geographical thinking and aesthetic orientation of the mythological prototypes derived from the Chinese characters. Method The cultural archetypes and the theories of big and small traditions are adopted to sort out the mythological beliefs in the former architectural forms of the big traditions and the ethical narrative system carried by the buildings in the small cultural traditional societies. In the architectural archetypes dominated by big and small cultural traditions, the thinking of “archetypes and ethics” is found to be a homologous gene, which confirms the universal significance of the spirit of Chinese Confucian ethics to the power of Chinese civilization flowing and inheriting and human morality. Conclusion The structure of Chinese characters has the function of “recording” and “interpreting”, and the mythological thinking of architectural form materials, understands the ultimate transformation of cultural archetypes in creation, and guides the value of the traditional architectural design of “bringing out goodness and symbiosis” in the contemporary era. To relieve the material pursuit of spiritual enjoyment at that moment, to promote cultural heritage and the role of social treatment, to build cultural identity and the spiritual transcendence of the existence value of space ethics and the overall social and cultural identity.

Chinese Transfer in English Grammar Teaching

Chinese transfer plays an important role in the teaching and learning of English grammar. Though there are many differences between English and Chinese, many rules are shared by English and Chinese, especially in terms of grammar. Therefore, in teaching of English grammar, proper use of transfer of Chinese grammar may help the learners learn English. This paper introduces Chinese positive transfer and negative transfer in learning English grammar, and discusses how to make use of Chinese transfer to improve English teaching.

Analysis of the Principles of Practicability in Chinese Grammar Teaching to Foreigners

The teaching of Chinese grammar as a foreign language is aimed at enabling foreigners to master the basic Chinese vocabulary,sentences and sentence organization rules so as to improve the language ability of foreigners to communicate in Chinese.It can be seen that the ultimate goal of teaching Chinese as a foreign language is to realize language communication in real life,so the practical principle in teaching is of great criticality.This article briefly introduces the relevant overview of the practical principles of Chinese grammar teaching at first,then implements analysis of practical principles in several aspects,hoping to provide reference for relevant teachers.

Teaching Grammar in a Communicative Framework in the Chinese EFL Context

Communicative language teaching(CLT) has been introduced to the English-as-a-foreign-language(EFL) context in China for four decades.One of the most significant remaining issues is related to whether this approach to grammar teaching is more effective and efficient than traditional ones.Based on an overview of trends in approaches to grammar instruction,discussion on both advantages of teaching grammar communicatively and the challenges posed by the Chinese EFL context are provided.It is proposed that grammar instruction should be integrated into a communicative framework and this would be the optimal approach to grammar teaching on condition that some constraints in the EFL context in China are dealt with carefully.Teaching implications conclude this paper.