Discussion on the Translation of Chinese Classics

Since the 16th Party Congress,the central government has put forward in several situations that Chinese culture must spread to other countries,and as the essence of Chinese culture,Chinese classics become the major carriers for the completion of the task.Translation is an important tool for the communication of culture,and some scholars have published some theoretical articles discussing the topic,which has promoted the development of it.This article summarizes the theoretical articles on translation of classical works(especially about English translation)in recent years and discusses who must take the burden of translation and how to translate them.Finally,the article puts forward the principles of translation on Chinese classics.

A Statistical Approach to Annotation in the English Translation of Chinese Classics:A Case Study of the Four English Versions of Fushengliuji

Annotation in translation is of great value in communicating"the local"to the global readership.Based on our content and function-centered statistics on the 483 notes of the four English versions of Shen Fu’s autobiographical work Fushengliuji,we find that 1)in terms of content,cultural,geographic,historical,and literary references are the most important categories of annotation in the English translation of this work;annotations in the four versions are employed to serve 6 major functions/purposes:to further inform,to facilitate understanding,to avoid misunderstanding,to interpret personally,to cite or allude,and to correct mistakes;2)no correlation can be established between the use of annotation and the reception of the work per se,but it can reflect the translator’s poise and strategy which ultimately affect the reception of the work;and 3)Lin’s version used relatively few notes and relied heavily on paraphrasing,a practice which leads to better accessibility of his translation and at the same time to the possible sacrifice of some culturally and socially significant elements of the original.Black’s translation used notes sparingly,and she was so creative as to rearrange and edit the original text,revealing her approach of radical"reader-centeredness".Pratt and Chiang’s version and Sanders’version used a large number of notes carrying a sinological mission,revealing their respect for the original and their decision to inform and inspire their readers.We argue that cultural translation,whether aided by annotation or not,is predominantly an art about"glocalism"and that both author-centeredness and reader-centeredness can be reconciled,since ultimately they serve the same"communicative"purpose.

Thomas Cleary's Translation of Chinese Military Classics & Its Implication for Translation Teaching

No research has been done to explore how the Chinese military classics have been studied and translated in the west.In order to fill the void,this paper tries to study Thomas Cleary’s translation of Chinese military classics.

Reception of Translated Classics of Traditional Chinese Medicine in the Spanish-speaking World:A Survey of Seven Spanish Versions of Huangdi Neijing(The Yellow Emperor’s Inner Classic)

Previous studies on translations of Huangdi Neijing(The Yellow Emperor’s Inner Classic)have focused on English versions;little attention has been given to non-English translations.The present study is the first investigation of the reception of the seven Spanish versions of Huangdi Neijing in terms of three parameters:collection records in libraries worldwide;book reviews and citation counts in international journals;and customer reviews on Amazon.The results revealed four features of Spanish translations and communication of Huangdi Neijing in terms of reception of academia,reception of general readers,the center of translation and communication,and the role of Chinese scholars.These factors demonstrate the marginal status of Spanish translations of traditional Chinese medicine(TCM)classics.The implications are summarized in hopes of promoting the translation and communication of TCM classics in the Spanish-speaking world and to provide insights into the communication of TCM culture in the non-English-speaking world.

Interpretation and Translation of Chinese Ancient Primer Classics in China Review

China Review was an important medium for cultural exchange between China and the West in the late 19th century.China Review was first published in Hong Kong.It mainly reports on languages,literature,local customs,and geography in the Far East,known as“the first genuine sinological journal in the Western World”.There are many translations and comments on Chinese Ancient Primer classics in China Review.Representative sinologists such as James Legge and Herbert Giles have and primer classics and published many research works.It had played a significant role in the overseas dissemination of primer classics in the century dissemination.

A Study of the Impact of the Dissemination of Ancient Chinese Primer Classic in the United States

Carrying the roots of Chinese civilization to its origins,the Chinese Primer classic has received considerable attention in the international community’s cultural diffusion.The spread of the Chinese Primer class studies in the United States,aided by missionaries such as E.C.Bridgeman,Samuel Wells Williams,and William Alexander Parsons Martin,sinologists such as Witter Bynner and David Hinton,has been characterized by unidirectionality,permeability,and pluralism.

Transmission Routes of Chinese Classical Culture in Cross-Cultural Communication

Chinese classical culture is an organic system shared by Chinese nation for 5000 years,taking Confu-cianism as the base and including various other ideological and cultural contents.This article introduces the transmission of Chinese classical culture from Confucian classics translation,promotion of Chinese cultural spirit,writing academic dissertations on the subject of China,translation of Chinese classical literature,introduction of Chinese painting and cal-ligraphy,and ilustration of Chinese local religions.

Artistic Conception of Chinese Classical Gardens

The artistic conception of the garden is the visual and typical natural environment and the ideological implication of the garden landscape expressed by the designer’s conception and creation.This paper analyzed the artistic conception of Chinese classical gardens from four aspects:the types,functions,creative techniques and contemporary factors restricting the development of artistic conception of gardens.It showed the charm of artistic conception of classical Chinese gardens,the important role of artistic conception of gardens,the current situation and problems encountered in the development of artistic conception of contemporary Chinese gardens.The paper also put forward some thoughts on the development status and problems of garden artistic conception,and explored the fusion method of Chinese classical garden artistic conception and modern garden.

Analysis of Waterscape Engineering Skills of Classical Chinese Gardens

In classical Chinese gardens,the waterscape has its own unique style of expression,which is to highlight the simulation of the natural water landscape and its combination with the elements of the garden.As a pole of classical garden theory,waterscape plays an important role in organizing space and creating the overall landscape effect.In addition to the landscape concept and water management method,the combination of engineering practices and landscape aesthetics involved guarantees Artistic presentation of water bodies in gardens.Based on the existing research,this study cut in from the perspective of engineering technology,and conducted detailed research on engineering techniques,materials application and artistic expression under different water body functions and forms,and explored the fusion of "making" "technique" and "art" in the waterscape construction.

On the Embodiment of Chinese Classical Thought in Whitman's Urban Ecological Poetics——Taking the Riverbank of the Ferry Crossing Last Winter as an Example

Whitman believes that people in cities should establish a harmonious relationship between humans and nature.In his urban imagination,humans are a common link in the entire ecosystem.As a part of heaven and earth,everything is one.Through dialogue with nature,Whitman explored that man and nature should be equal and harmonious.Whitman embodies the unique urban ecological poetics in his essay the Riverbank of the Ferry Crossing Last Winter,which contains Chinese classical thought of harmony between man and nature.

The Outsider Perspective: Classical Chinese Philosophy in the Narrative Framework of the European Enlightenment

The purpose of this article is to enhance the understanding of how Classical Chinese Philosophy has been interpreted and transferred by Enlightenment thinkers into the narrative framework of European philosophy as a far-reaching source of ideas and inspiration with a driving force for promoting modern European social change. We examine outsider perspectives within the context of Enlightenment thinking that contributed to advances in the cross-cultural understanding of how Chinese stories could be disseminated in the framework of East-West dialogue.

A Comparative Study of Classical Chinese Teaching in Junior High School about Analects of Confucius Chapter 12

“Analects of Confucius”is an important carrier of outstanding traditional culture of our country,and“The Ministry of Education”junior high school Chinese textbook seventh grade volume of the third unit of“<Analects>12 chapters”included 12 chapters as learning content.In the actual teaching,Xiao Pei-dong teacher teaching reading as self-reading,let the Analects of Confucius into the students’hearts.Mr.Xu Jie stimulates students’interest by reading Chinese teaching,teaching with culture and teaching in activities.Teacher Zhu Xingxiang guides students to use the method of mutual verification,to explore“the joy of learning”,“the joy of having friends”and“the joy of gentleman”,and to learn Confucius’s optimistic life attitude.The three teachers have different teaching methods,each with its own characteristics,but all reach the same destination,aiming at improving the core quality of students,which has important reference significance for the teaching of classical Chinese in junior high school under the new curriculum standard.

A Tentative Study of Translation Evaluation System of Chinese Classical Poetry Form: From the Perspective of Functional Linguistics

Chinese classical poetry is the special form of literature. The translated texts of various qualities hinder the foreign read-ers from appreciating of CCP and even from correctly understanding of the Chinese unique culture, which presents obstacles to thetransmission of Chinese great culture. Tentatively establishing an evaluation system of CCP from the perspective of functional lin-guistics,based on three meta-functions proposed by Halliday, by applying the translation evaluation system, the quality of six trans-lated versions of 清明, a poem by Du Mu are assessed. By this case study, it is intended to prove the feasibility and practicability ofthis translation evaluation system, and then provide the suggestions on bettering the translated versions.

5 Chinese Classic Must Reads

The canon of Chinese literature is so huge and intimidating that it’s hard to know where to start. And thanks to the difficulty of the Chinese language, only the most serious scholars can read the classics in their original form.Luckily there are some excellent English translations of great Chinese novels,offering you the chance to widen your reading horizons and learn about the culture of the country you’re living in.Here are five classics

China Association of Chinese Medicine Paper notice for seminar on clinical application of TCM classic prescriptions and herbs in the treatment of emotional diseases

Hosted by ChinaAssociation of Chinese Medicine,and organized by World Journal of Integrated traditional and western Medicine,seminar on clinical application of TCM classic prescriptions and herbs in the treatment of emotional diseaseis planned to be held in Yichang,Hubei province from June 22nd to 24th.

SA-Model:Multi-Feature Fusion Poetic Sentiment Analysis Based on a Hybrid Word Vector Model

Sentiment analysis in Chinese classical poetry has become a prominent topic in historical and cultural tracing,ancient literature research,etc.However,the existing research on sentiment analysis is relatively small.It does not effectively solve the problems such as the weak feature extraction ability of poetry text,which leads to the low performance of the model on sentiment analysis for Chinese classical poetry.In this research,we offer the SA-Model,a poetic sentiment analysis model.SA-Model firstly extracts text vector information and fuses it through Bidirectional encoder representation from transformers-Whole word masking-extension(BERT-wwmext)and Enhanced representation through knowledge integration(ERNIE)to enrich text vector information;Secondly,it incorporates numerous encoders to remove text features at multiple levels,thereby increasing text feature information,improving text semantics accuracy,and enhancing the model’s learning and generalization capabilities;finally,multi-feature fusion poetry sentiment analysis model is constructed.The feasibility and accuracy of the model are validated through the ancient poetry sentiment corpus.Compared with other baseline models,the experimental findings indicate that SA-Model may increase the accuracy of text semantics and hence improve the capability of poetry sentiment analysis.

Temple of Heaven

The Temple of Heaven is the place where the emperors of the Ming and Qing dynasties （1368-1911） worshipped heaven and prayed for good harvests. It is an axial arrangement of the Circular Mound Altar to the south with the conic.ally roofed Imperial Vault of Heaven immediately to its north. This is linked by a raised sacred way to the circular, three tiered, conically roofed Hall of Prayer for Good Harvests further to the north.

CHINA Mission Accomplished

The"Chinese Classics"series published by Foreign Languages Press is a collection of ancient Chinese classics and great works of modern Chinese authors.The first set comprises nine ancient classic works including Selected Elegies of the State of Chu,Selections from Records of the Historian,Tao Yuanming Selected Poems,Du Fu Selected Poems,and Selected Tang Dynasty Stories,and five works

Services China ABC

The"Chinese Classics"series published by Foreign Languages Press is a collection of ancient Chinese classics and great works of modern Chinese authors.The first set comprises nine ancient classic works including Selected Elegies of the State of Chu,Selections from Records of the Historian,Tao Yuanming Selected Poems,Du Fu Selected Poems,and Selected Tang Dynasty Stories,and five works by Lu Xun(1881-1936),a leading figure of modern Chinese literature,which include Dawn Blossoms

Chuang Tzu in Germany:The Redirection of Chinese Literary Classics “Going Global”

As the quintessence of traditional Chinese culture,Chuang Tzu and other Chinese literary classics have been translated and introduced to many Western countries in succession,arousing Western attention and thoughts on Chinese culture.Since Chuang Tzu was introduced to Germany by sinologists and missionaries at the end of the nineteenth century,it has triggered a continuous upsurge of interest in its reading and research,which has solidified into a spiritual mirror aimed at fully representing traditional Chinese culture.From this translation and research history of Chuang Tzu in Germany,a general pattern of"translation lagging behind research"is illustrated.In this process,Germany’s interpretation and acceptance of Chuang Tzu is not only conducted from the perspective of literature and philosophy,but widely extends to other academic realms,including natural science,highlighting its distinct"fusion"and"cross-boundary"features.Examining the cross-cultural presentation and reappearance of Chuang Tzu in Germany is of great enlightening significance to the construction of a translation model for Chinese classics.Thus,a cooperative translation model in which domestic translators and foreign sinologists can draw on each other’s unique strengths during communication could be built.To this end,in the selection of translated classics,translators should pay attention to their own compatibility with the cultural background of the target countries to avoid invalid translation,which might even cause cultural conflicts.Consequently,the translation of Chinese classics will be shifted closer towards their purest original intended purposes.