On Translation of Children’s Literature Based on Reception Aesthetics:A Case Study of The Secret Garden

Grounded in reader-centered theories,Reception Aesthetics prioritizes the active engagement and acceptance of target readers.This study examines the translation of children’s literature through the lens of Reception Aesthetics,using Li Wenjun’s rendition of The Secret Garden as a case study.The objective is to scrutinize various aspects of the translation-including vocabulary,syntax,rhetorical devices,and cultural nuances-and to discern how the adaptation and application of diverse translation strategies cater to the aesthetic expectations.

Flavor Amidst Plainness:An Examination of the Subjectivity of the“People’s Films”From the Perspective of Classical Aesthetics

The“People’s Films,”when examined from the perspective of classical aesthetics,present a unique visual style that creates artistic conceptions through sparse filming and deliver a scenery-based ideology through background shots,contributing to the overall aesthetic taste dominated by plainness.Chinese national aesthetic tastes,distinguished by implicitness,symbolism,and ethereality,have the magical power to present charming conceptions via plain and simple scenes,thus endowing the“People’s Films”with natural,plain,and harmonious frames that are unique to China.Behind the silent and plain scenes are representations of personal cultivation and essential values cherished by the Chinese people,which are achieved via the momentary presence and entirety of scenes photographed in the films,delivering an internal transcendence of people’s consciousness.

The Translation of Children's Literature under the Guidance of Reception Aesthetics

In recent years,a great majority of excellent foreign children' s literary works have sprung up in the domestic market,so the translation of children' literature are drawn much attention.However,the relevant studies which guide the translation of children literature are quite few.Reception Aesthetics which take readers reception as a goal provides a new prospective for the translation of children s literature and promote its development.

Exploring Taiwan’s China Landscape Painting Aesthetic Preferences Through Evaluation Grid Method and the Continuous Fuzzy Kano Model

The primary objective of this study is to apply the Evaluation Grid Method(EGM)and the continuous fuzzy Kano quality model to explore the cognitive preferences of Taiwan China residents regarding the beauty of Taiwan’s China landscape paintings.The aim is to contribute to the development of social and cultural art and promote the widespread appeal of art products.Through a literature review,consultations with aesthetic experts,and the application of Miryoku Engineering’s EGM,this paper consolidates the factors that contribute to the attractiveness of painting art products among Taiwan China residents,taking into account various aesthetic qualities.Simultaneously,the paper introduces the use of the triangular fuzzy golden ratio scale semantics,specifically the equal-ratio aesthetic scale semantics,as a replacement for the traditional subjective consciousness model.Departing from the traditional discrete Kano model that employs the mode as the standard for evaluating quality,this study applies triangular fuzzy numbers to the continuous Kano quality model to analyze the diverse preferences and evaluation standards of the public.The hope is that this research methodology will not only deepen Taiwan China residents’understanding and aesthetic literacy of painting art but also serve as a reference for the popularization of art products.

On the Chinese People’s Aesthetics

正Appreciation of art is not a birthright. In the prehistoric primitive society, the ancestors of the Chinese people rooted in the harsh natural environment of the Yellow River Basin and began forging their own solid characteristics as the loess and rock. Our ancestors survived in the harsh natural conditions. Pressure of keeping alive deprived of their original romantic, despite that Neolithic primitive rock art, pottery

耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果观察

目的:探析耳前大S形切口在腮腺浅叶良性肿瘤切除术中的应用及美学效果。方法:选取2018年1月-2021年1月诊治的110例腮腺浅叶良性肿瘤患者为研究对象,所有患者均行腮腺浅叶切除术,其中采用耳前大S形切口(观察组)和传统切口(对照组)各55例,比较两组围术期指标、术后并发症及切口美观满意度,并于术后随访6个月,观察有无肿瘤复发情况。结果:所有患者均顺利完成手术。与对照组比较,观察组切口长度较长,术中出血量、面神经解剖支数较少,创面愈合时间较短,手术总有效率及术后6个月切口美观满意度视觉模拟量表(Visual analogue scale,VAS)评分较高,术后涎瘘及总并发症发生率较低,差异均有统计学意义(P<0.05);两组手术时间、住院时间、术后3个月切口美观满意度VAS评分及术后6个月肿瘤复发率比较差异无统计学意义(P>0.05)。结论:在腮腺浅叶良性肿瘤切除术中采用耳前大S形切口能减少术中出血量和面神经分支解剖数,切口创面愈合快,手术效果好,术后并发症少,切口美观度高,值得临床推广。

The Rise of Aesthetic Anthropology in the Marginal Culture

At the turn of the century, the development of aesthetics encounters severe challenges and is trapped in a crisis. To get out of it, it is necessary to dig deeper in the study of aesthetics. The fact that the marginal areas＇ cultural heritage, agricultural culture, industrial culture and post-industrial culture often coexist in a harmonious way in a nation or the same area attracts the attention of aesthetic anthropologists. The paper mainly analyzes the constructive relationship between the culture of marginal areas and aesthetic anthropology, and discusses how to establish a relationship between them with the help of the development model of Yunnan＇s marginal culture.

A study on the present situation and aesthetic of Chinese contemporary children＇s books

The orientation and development of children＇ s book illustration affects children＇ s artistic taste, and also determines the futureand trend of children＇ s book market. This paper analyzes the present situation of children＇ s book illustration, and discusses its aesthetic styleand form of expression. Hope to be able to further explore the market potential of China＇ s children＇ s book illustrations, to establish the correctdirection of development to make some help.

Behind ＂Pop Songs Between 1930s and 1940s in Shanghai＂ Aesthetic Release of Eros Utopia

＂Pop Songs between 1930s and 1940s in Shanghai＂ contains the artistic phenomenon with the utopian feature. Its main objective lies in the will instead of hope. The era endows different aesthetic utopian meanings to ＂Pop Songs between 1930s and 1940s in Shanghai＂. After 2010, the utopian change of such songs is closely related to the contradiction between ＂aesthetic imagination and reality＂, and ＂individual interest and integrated social interest＂ that are intrinsic in the utopian concept. To sort out the utopian process of those songs, it is helpful for correcting the current status about the weakened critical realism function of the current art, and accelerating the arousal of the literary and artistic creation, and individual consciousness, laying equal stress on and gathering the aesthetic power of these individuals, which provides solid foundation for the generalization of aesthetic utopian significance.

Combination of facial skeletal contouring surgery and aesthetic surgeries for Asians-personal experience

Facial skeletal contouring surgery such as reduction malarplasty and reduction angleplasty is popular in Asian countries. With rapid economic development, an increasing number of patients receive facial skeletal contouring surgery combined with other facial aesthetic sur geries. From January 2014 to December 2016, a total of 37 patients underwent Facial skeletal contouring surgery combined with facial esthetic surgeries in our department. The modified L-shape reduction malarplasty and reduction mandibular angleplasty were performed using reciprocating saws. The combined facial esthetic surgeries are 4 cases of double eyelid blepharoplasty, 6 cases of augmentation rhinoplasty, 2 cases of autologous fat transplantation and 1 case of augmentation genioplasty. 36 patients were satisfied with the final facial contour and appearance. No severe complications were seen in our series. Facial skeletal contouring surgeries can drastically and permanently change the patient's facial contour. Plastic surgeons should be acquainted with the metabolic aesthetic trends and be familiar with all the surgical techniques. The selection of an appropriate procedure or combined procedures for individual patients should be made according to the cultural background, patient's chief complain, anatomic variations and possible operative sequ elae.

如果齐泽克再读《S/Z》--艺术形式流变中的“暴力”与“空无”

罗兰·巴特的后结构主义文本《S/Z》,阅读了巴尔扎克的现实主义小说《萨拉辛》,将一个爱情故事重写为一个“阉割的故事”。在阅读中,巴特指出了在《萨拉辛》的雕塑、油画和文字三种艺术形式中存在的“恐惧感”,并通过这种感觉的强度建立了一个“审美体验强度序列”,其中雕塑、油画和文字三者的强度依次递减。这一序列建立在艺术实体的空间维度上,反映了传统艺术观念对物质世界的重视。然而,现代艺术却轻视艺术实体,齐泽克将艺术品视为放置在艺术空位上的任意物,艺术实体的重要性被消解,符号的象征意义得以强化。论文立足于两种艺术观念的冲突,受到《S/Z》的启发,在精神分析学引领下,阅读并重写了《S/Z》中艺术审美体验的文本,发现三种艺术形式带来的“恐惧感”来自于不同性质的暴力。根据齐泽克的暴力理论,论文发现雕塑的“爱欲的暴力”强度最轻,其次是油画的“男性凝视的暴力”,最后是文字的“剔除的暴力”,具有最大的强度,因此颠覆性地确立了“雕塑,油画,文字”依次递增的“审美体验强度序列”。

《伟大征程》的“人民性”底蕴及其政治美学表达

《伟大征程》是继《东方红》《中国革命之歌》《复兴之路》《奋斗吧中华儿女》之后的又一部大型情景史诗,展现了中国共产党带领中国人民进行革命、建设、改革、复兴的辉煌进程。《伟大征程》不但继承与发扬了中国共产党“人民性文艺”的创作宗旨,还特别突出“人民史观”的政治审美叙事,强调中国共产党始终把“以人民为中心”作为价值追求,折射出其马克思主义的政治美学表达。《伟大征程》中的“人类命运共同体”意识,不但扩充了“人民性”的内涵,更是将其政治审美的境界提升到“人类终极关怀”的高度,推动人类和平共赢事业不断向前发展。

杜威审美观的现代课堂教学实践与意义--基于CRISPA理论框架的分析

以杜威的美学教育观为基础的课堂教学实践近年来在西方国家产生很大的影响。其代表性的工作是美国丹佛大学乌尔马赫教授的美学框架CRISPA理论框架及其教学应用。CRISPA理论框架代表6个审美维度:联结、冒险、想象、感官经验、觉察力和积极参与。应用这一框架所进行的教学设计被称为区别于行为主义和建构主义的教学设计并在一定程度上弥补了这两种设计的不足。基于这一美学框架的教学设计观对我国基础教育课程改革中出现的某些问题将有借鉴意义。

伯林特美学思想对杜威实用主义哲学的继承与发展

阿诺德·伯林特美学思想对杜威哲学的继承与发展,可以从以下三个维度进行把握:首先,伯林特继承了杜威学科反思的精神,将其“改造哲学”的事业延续到了美学中,不仅深入地批判了以“无功利”为特征的传统美学,而且以身体的综合感知重构审美经验,建构了以身体为中心的审美经验理论,从而赋予审美经验身体化与整体性的特质。其次,伯林特坚持了杜威实用主义以“经验”概念统合主客分裂的思想理路,积极吸收了杜威“经验”概念中的两个突出特征——“能动性”与“情境化”,使之成为丰富其环境审美经验论内涵,增强其合理性的重要特质。最后,伯林特将杜威的“连续性”思想深刻地融贯到自己的审美思考中,连续性这种开放的思维方式促使其思考审美参与理论的连续性内核,并在此基础上试图建构一种兼容并包的普遍性美学。

科马克·麦卡锡小说的暴力审美与治疗

科马克·麦卡锡的小说浓墨重彩地书写暴力,但麦卡锡并非暴力展示狂。麦卡锡的小说不仅书写自然暴力、动物暴力,还书写人类对自然的暴力与人类世界中的暴力。麦卡锡以极具美学张力的手法书写自然暴力,展现自然之美与崇高,书写人类暴力,揭示人类暴力对自然崇高与美的侵蚀,以及人类暴力带来的灾难与死亡的悲剧性后果。麦卡锡在小说中通过书写自然暴力展现自然之美与崇高,唤起人类对自然与生命的敬畏之情,消解人类中心主义的自大与傲慢;通过呈现人类暴力给自然和人类带来的灾难与死亡,警示人类暴力产生的悲剧性后果,以此净化人、教化人,起到文学艺术的治疗作用,从而更好地防范暴力、减少暴力,甚至放弃暴力。

Study on the Application of Gestalt Theory in CLT

CLT is an activity of aesthetic representation,in which the translators undertake analysis,synthesis,and reconstruction of the aesthetic qualities inherent in the original work until the representation of these aesthetic qualities is achieved.Gestalt theory could help the translator to represent aesthetic qualities of the source text in the target text in CLT.

改良倒“V”形切口在腮腺肿瘤切除治疗中的应用及美学效果观察

目的:探究改良倒“V”形防皱切口腮腺肿瘤切除术的临床及美学效果。方法:选取2016年10月-2019年10月笔者医院收治的60例腮腺肿瘤患者为研究对象,按随机数字表法分为观察组和对照组,各30例。对照组采用常规“S”切口进行腮腺肿瘤切除,观察组采用改良倒“V”形防皱切口进行腮腺肿瘤切除。比较两组手术时间、术后当日引流量、术中出血量、住院时间、手术切口长度、术后美学效果[温哥华瘢痕量表(Vancouver scar scale,VSS)、患者瘢痕评价量表(Patient scar appraise scale,PSAS)、观察者瘢痕评价量表(Observer scar assessment scale,OSAS)]、生活质量(华盛顿医科大学生存质量量表)及并发症发生率。结果:观察组手术切口长度低于对照组(P<0.05)。术后3、6个月,观察组VSS、PSAS、OSAS评分低于对照组(P<0.05)。术后6个月,观察组外貌、表情评分低于术前,但高于对照组(P<0.05);两组术后疼痛、活动能力、娱乐、肩部功能、工作、咀嚼、语言清晰度评分均低于术前(P<0.05),但组间比较,差异无统计学意义(P>0.05)。两组并发症总发生率比较差异无统计学意义(P>0.05)。结论:改良倒“V”形防皱切口能明显改善腮腺肿瘤切除患者术后美学效果,且有较高的安全性,临床价值较高。

“生生不已”的幼儿园环境创设探析——基于生命美学的视角

幼儿作为独特的生命存在,其生长离不开环境,生命美学以“人的生命需要”为逻辑起点,深度契合幼儿园环境创设的内在要求。从生命美学的视角来看,幼儿园环境是幼儿生命成长的关键场域,其创设应紧紧围绕幼儿的生命来展开。“生生不已”既符合中国传统生命美学的意蕴,又是当代生命美学回归生命本体的凝练表达。“生生不已”的幼儿园环境,关键在于遵循幼儿生命完整性、幼儿生命体验性、幼儿生命审美性的三重原则,在运动变化、持续向上中彰显幼儿生命之美。“生生不已”的幼儿园环境创设路径在于:在自然环境下,丰富幼儿生命的感性认知;在虚拟和真实环境的相互结合中,赋能幼儿生命的多重体验;在物质美和精神美的美美与共里,呵护幼儿生命的自由表达。这三条创设路径之间互生互动,共同指向幼儿生命的美好发展。

沉浸式体验与审美消费——以北京SKP-S商场中的当代艺术元素为例

北京的SKP-S商场营造了以"数字-模拟未来"为主题的沉浸式科幻购物场景,构建了一个感觉经验不断流动生成的当代审美空间。当代艺术的审美感知嵌入消费文化,充分参与了商场外部陈设空间的建构与产品的生产过程,延展为一种新的时尚范式。新型媒介技术的介入催生了多感官、互动性、开放性的审美体验,构筑了极具感受性的购物氛围。沉浸式商业空间以一种新的感性存在模式与感知类型,在与观者的互动交流中获得了新的意义生成,重塑了都市人的感性经验结构与生活方式,成为当代"感觉共同体"的具体化表达。

On the Appliance of Lin Yutang's Translation Theory in his Translation Practice of Six Chapters of a Floating Life

The thesis explores Lin Yutang's translation practice from a microscopic perspective by means of the application of Lin's translation theory. It attempts to analyze Lin's translation characteristics and the reason why he does so from the point of view of Lin's translation theory,basically two rules:fidelity rule and aesthetic beauty rule and evaluate Lin's translation.