This article echoes Kenneth Frampton’s critical regionalism to address maintaining the values of the past into the present.For Frampton,architecture design is regionally infused due to essentially dealing with“speci...This article echoes Kenneth Frampton’s critical regionalism to address maintaining the values of the past into the present.For Frampton,architecture design is regionally infused due to essentially dealing with“specificity and locality”,however,remains reluctant to adopt a“universal technology”.A Masdar City’s design represents a valuable case due to casting light on the complexity embedded in intertwining the modernist technologies and a regional architecture.The case study’s analyses cited here suggest that the design of the present evolves from this complexity witnessing a deviation from a“universal technology”and a local architecture.A vernacular style of architecture has been blamed because it stitches together the“globe”and the“local”.A universal technology has been also witnessed here which yields support for the vernacular approaches embedded in a traditional architecture.What Frampton’s critical regionalism appears to overlook are the vernacular approaches that in the analysis of this article embrace a model of the design principles for the“tectonics”to be realised.The key argument brought forward in this article concerns Frampton’s critical regionalism that yet lacks a realistic approach to produce a sense within a local context,thereby needing in its theory to neatly twist the vernacular approaches with a critical regionalism’s synthesis.展开更多
Culture is a bridge linking people’s hearts,and a bond to help deepen under standing and trust between countries.In its efforts to foster ties with international sister cities,Xuchang is fully aware of the unique rol...Culture is a bridge linking people’s hearts,and a bond to help deepen under standing and trust between countries.In its efforts to foster ties with international sister cities,Xuchang is fully aware of the unique role of culture in communication with foreign counterparts,and thus actively practices the idea of influencing people,promoting friendship and building trust through cultural exchanges.As one of the cradles of展开更多
文摘This article echoes Kenneth Frampton’s critical regionalism to address maintaining the values of the past into the present.For Frampton,architecture design is regionally infused due to essentially dealing with“specificity and locality”,however,remains reluctant to adopt a“universal technology”.A Masdar City’s design represents a valuable case due to casting light on the complexity embedded in intertwining the modernist technologies and a regional architecture.The case study’s analyses cited here suggest that the design of the present evolves from this complexity witnessing a deviation from a“universal technology”and a local architecture.A vernacular style of architecture has been blamed because it stitches together the“globe”and the“local”.A universal technology has been also witnessed here which yields support for the vernacular approaches embedded in a traditional architecture.What Frampton’s critical regionalism appears to overlook are the vernacular approaches that in the analysis of this article embrace a model of the design principles for the“tectonics”to be realised.The key argument brought forward in this article concerns Frampton’s critical regionalism that yet lacks a realistic approach to produce a sense within a local context,thereby needing in its theory to neatly twist the vernacular approaches with a critical regionalism’s synthesis.
文摘Culture is a bridge linking people’s hearts,and a bond to help deepen under standing and trust between countries.In its efforts to foster ties with international sister cities,Xuchang is fully aware of the unique role of culture in communication with foreign counterparts,and thus actively practices the idea of influencing people,promoting friendship and building trust through cultural exchanges.As one of the cradles of
