The film My People,My Country tells seven stories of great historical significance that have occurred since New China’s founding 70 years ago.The film takes time as a clue and narrates the transformation of space.Bas...The film My People,My Country tells seven stories of great historical significance that have occurred since New China’s founding 70 years ago.The film takes time as a clue and narrates the transformation of space.Based on the understanding of spatial narrative,this paper explores the spatial narration in the film from the perspectives of narrative space formation,narrative means,and spatial expression of emotion.展开更多
On the basis of Gabriel Zoran＇s theory of spatial pattern, particularly the 3 levels of world reconstruction, the pattern of narrative space in Ursula Le Guin＇s The Left Hand of Darkness is figured out. A spatial pa...On the basis of Gabriel Zoran＇s theory of spatial pattern, particularly the 3 levels of world reconstruction, the pattern of narrative space in Ursula Le Guin＇s The Left Hand of Darkness is figured out. A spatial pattern of Tai Chi diagram is established on the textual level, the chronotopic level and the topographical level simultaneously. To demonstrate the validity of this Tai Chi spatial pattern, the stylistic feature of ＂shfgrethor＂ is analyzed in accordance with the Tai Chi spatial pattern, thereby proves the pattern＇s reliability. As an effect, this Tai Chi spatial pattern functions as Le Guin＇s fitting shape of carrier bag in science fiction containing both mythology and realist elements into a cyclic narrative.展开更多
文摘The film My People,My Country tells seven stories of great historical significance that have occurred since New China’s founding 70 years ago.The film takes time as a clue and narrates the transformation of space.Based on the understanding of spatial narrative,this paper explores the spatial narration in the film from the perspectives of narrative space formation,narrative means,and spatial expression of emotion.
文摘On the basis of Gabriel Zoran＇s theory of spatial pattern, particularly the 3 levels of world reconstruction, the pattern of narrative space in Ursula Le Guin＇s The Left Hand of Darkness is figured out. A spatial pattern of Tai Chi diagram is established on the textual level, the chronotopic level and the topographical level simultaneously. To demonstrate the validity of this Tai Chi spatial pattern, the stylistic feature of ＂shfgrethor＂ is analyzed in accordance with the Tai Chi spatial pattern, thereby proves the pattern＇s reliability. As an effect, this Tai Chi spatial pattern functions as Le Guin＇s fitting shape of carrier bag in science fiction containing both mythology and realist elements into a cyclic narrative.
