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Discussion on the Embodiment of the National Style in the Thorn Birds
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作者 Mingming LI 《International Journal of Technology Management》 2013年第12期38-39,共2页
In literary creation, the formation of style is a sign for if the creation of a writer is mature, which is an intensive reflection to the unique creative personality of the writer. There are many kinds of writer' s c... In literary creation, the formation of style is a sign for if the creation of a writer is mature, which is an intensive reflection to the unique creative personality of the writer. There are many kinds of writer' s creation styles, among which the national style is a very prominent level, which can very excellently reflect the cultural characteristics of a nation. The Thorn Birds, which was created by Australian author Lynn McCullough, has the characteristics of a very strong national style. In the works, the national style of Australia is very well reflected from the depiction of the natural environment, the composition way of the novel, and the shape of character image. 展开更多
关键词 The Thorn Birds national style REFLECTION
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Contemporary Architecture with National Style
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作者 ZHANG PING ZHU HONG 《Women of China》 1999年第11期45-45,共1页
ON the occasion of the 50thanniversary of the foundingof New China,KunmingInternational HorticulturalExposition’99 and the 20thAssociation of InternationalArchitects Conference happen to beheld in China.These two great
关键词 Contemporary Architecture with national style
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Style Shuttlecock-A delicate flower in Chinese national sports
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作者 JIANG JUN A RONG 《Women of China》 2000年第1期14-16,共3页
AT the Sixth National Minorities Games, a women's folk shuttlecock team from Beijing aroused the audience with their outstanding performance. This team is composed of four members: Chen Jing, Li Shiying, Zhang Lin... AT the Sixth National Minorities Games, a women's folk shuttlecock team from Beijing aroused the audience with their outstanding performance. This team is composed of four members: Chen Jing, Li Shiying, Zhang Ling and their coach Liang Wanjiang. 展开更多
关键词 style Shuttlecock-A delicate flower in Chinese national sports
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Architectural Models and Their Contexts in China’s 20^(th)-Century Architectural Heritage: An Overview 被引量:3
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作者 Qing Chang 《Built Heritage》 CSCD 2019年第4期1-13,共13页
The article explores the morphological evolution of China’s 20^(th)-century architecture chronologically.Chinese Neoclassicism has played a major role in forming the 20^(th)-century heritage buildings surviving today... The article explores the morphological evolution of China’s 20^(th)-century architecture chronologically.Chinese Neoclassicism has played a major role in forming the 20^(th)-century heritage buildings surviving today.The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West.In turn,in accepting and contesting Western culture,the Chinese elite have con­sciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture.Meanwhile,in the foreign settlements of the treaty ports such as Shanghai,the Western Neoclassical style,along with other imported construction trends,also forms part of China’s 20^(th)-century architectural heritage.Western Neoclassicism’s influence on China’s new architecture became even more evident in the mid-20^(th) century,with the modern architectural heritage in Tiananmen Square as its exemplar.Nevertheless,the impact of Western modernist architecture on China’s architecture was minimal.It was not until the 1980s,as China reopened to the world,that various schools of thought from the post-industrial West flowed into China,which significantly enriched the types and sources of China’s 20^(th)-century architectural heritage.Modern Classicism,late Modernism and Post­modernism all found their way into China’s contemporary architecture. 展开更多
关键词 China’s 20^(th)-century architectural heritage model pseudo-classic classical Chinese style national style neo-Chinese style DIVERSIFICATION
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