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A Comparative Analysis of the Origin and Formation Between Chinese Characters and English Alphabets
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作者 Xuan Song Lifen Li 《汉语教学方法与技术》 2023年第2期20-41,共22页
This research is based on the framework of social constructivism,utilizing the principle of Human Universals as a methodology to compare the similarities and differences between the ideation and formation methods of C... This research is based on the framework of social constructivism,utilizing the principle of Human Universals as a methodology to compare the similarities and differences between the ideation and formation methods of Chinese characters and English alphabets.Through comparative analysis of the ideation of English letters(pictogramme)and the origin of Chinese characters,known as the"Six Categories Theory,"we discover their alignment in terms of social,traditional,and cultural aspects.This suggests that different ethnic groups share common features in terms of life experience,learning cognitive development,and thinking habits.This study also finds that the origins of English letters and Chinese characters share similar linguistic features in their methods of constructing letters/characters,such as pictographic,ideographic,and semantic characteristics.Exploring these commonalities contributes to promoting learning and communication between Chinese and English characters.Additionally,by focusing on socio-cultural aspects,traditional customs,and cognitive learning,this study aims to break away from the traditional linguistic research approach that solely focuses on language differences.This provides a broader perspective and richer dimensions for Chinese and English language learning,facilitating the development of cross-linguistic and cross-cultural communication. 展开更多
关键词 Origin Chinese characters English Alphabets Philosophical Views FORMATION Cultural Beliefs Social Conventions Cross-linguistic and cross-cultural communication
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Approximating interior bounded box of 3D character mesh model based on its skeleton and symmetry
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作者 Hanxiang Xu Shihui Guo +1 位作者 Junfeng Yao Nadia Magnenat Thalmann 《International Journal of Intelligent Computing and Cybernetics》 EI 2017年第3期332-347,共16页
Purpose – In the process of robot shell design, it is necessary to match the shape of the input 3D originalcharacter mesh model and robot endoskeleton, in order to make the input model fit for robot and avoidcollisio... Purpose – In the process of robot shell design, it is necessary to match the shape of the input 3D originalcharacter mesh model and robot endoskeleton, in order to make the input model fit for robot and avoidcollision. So, the purpose of this paper is to find an object of reference, which can be used for the process ofshape matching.Design/methodology/approach – In this work, the authors propose an interior bounded box (IBB)approach that derives from oriented bounding box (OBB). This kind of box is inside the closed mesh model.At the same time, it has maximum volume which is aligned with the object axis but is enclosed by all the meshvertices. Based on the IBB of input mesh model and the OBB of robot endoskeleton, the authors can completethe process of shape matching. In this paper, the authors use an evolutionary algorithm, covariance matrixadaptation evolution strategy (CMA-ES), to approximate the IBB based on skeleton and symmetry of inputcharacter mesh model.Findings – Based on the evolutionary algorithm CMA-ES, the optimal position and scale informationof IBB can be found. The authors can obtain satisfactory IBB result after this optimization process.The output IBB has maximum volume and is enveloped by the input character mesh model as well.Originality/value – To the best knowledge of the authors, the IBB is first proposed and used in the field ofrobot shell design. Taking advantage of the IBB, people can quickly obtain a shell model that fit for robot.At the same time, it can avoid collision between shell model and the robot endoskeleton. 展开更多
关键词 3D original characters mesh model CMA-ES Interior bounded box Shape matching
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The Origin of Chinese Characters
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《Women of China》 1999年第7期47-47,共1页
IN oracle-bone inscription, 面 (mian) depictsthe outline of a face with a large eye at its center.To this end its original meaning was the humanface. However, in ancient Chinese 面 referred tothe front of the head and... IN oracle-bone inscription, 面 (mian) depictsthe outline of a face with a large eye at its center.To this end its original meaning was the humanface. However, in ancient Chinese 面 referred tothe front of the head and another characterdenoted the cheek, specifically the area 展开更多
关键词 The Origin of Chinese characters
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The Origin of Chinese Characters
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《Women of China》 1999年第4期46-46,共1页
吴(wu),is the name of anancient kingdom and also of a placein Chinese history.At the beginningof the Xizhou Dynasty(circaB.C.1000-B.C.771),a prince namedTaibo came to live in Wu.His directdescendent later thrived and ... 吴(wu),is the name of anancient kingdom and also of a placein Chinese history.At the beginningof the Xizhou Dynasty(circaB.C.1000-B.C.771),a prince namedTaibo came to live in Wu.His directdescendent later thrived and lordedthe region,making himself a king andWu his kingdom.But in B.C.475,thekingdom of Wu was overthrown andthe Yue Kingdom took over. 展开更多
关键词 The Origin of Chinese characters
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The Origin of Chinese Characters
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《Women of China》 1999年第9期46-46,共1页
IN bronze inscription,the character黑(hei)depicts a person smoked bythe heat of a fire into filth,heat andsweat.its origininal meaning is
关键词 The Origin of Chinese characters
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The Origin of Chinese Characters
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《Women of China》 1999年第6期47-47,共1页
IN both the oracle-boneinscription and the bronzeinscription,"子" (zi) looks like aninfant with a big head and a smallbody. It was either written in theform of a baby in swaddling clotheswaving its hands or ... IN both the oracle-boneinscription and the bronzeinscription,"子" (zi) looks like aninfant with a big head and a smallbody. It was either written in theform of a baby in swaddling clotheswaving its hands or a standing childwith a few renegade hairs on its headand unformed skull. 展开更多
关键词 The Origin of Chinese characters
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The Origin of Chinese Characters
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《Women of China》 1999年第12期46-46,共1页
IN both the oracle-bone inscription andthe bronze inscription, "并" (bing) lookslike two people being linked together. Theoriginal meaning of "并" is merge orunite. It is also used as an adverbial ... IN both the oracle-bone inscription andthe bronze inscription, "并" (bing) lookslike two people being linked together. Theoriginal meaning of "并" is merge orunite. It is also used as an adverbial wordmeaning all and together. 展开更多
关键词 The Origin of Chinese characters
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The Origin of Chinese Characters
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《Women of China》 1999年第11期46-46,共1页
In ancient Chinese characters, "北" (bei)depicts two people standing back to back. Itoriginally meant,running counter to, or goingagainst’ something or someone. When a
关键词 The Origin of Chinese characters
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The Origin of Chinese Characters
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《Women of China》 1999年第3期47-47,共1页
女 (nü) is a pictograph. InChinese it means female, theopposite of male. In ancientChinese, women had low socialstatus which is reflected in theshape of the character. 女 in theOracle-Bone Script looks like
关键词 The Origin of Chinese characters
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The Origin of Chinese Characters
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《Women of China》 1999年第5期47-47,共1页
IN ancient Chinese characters,母(pronounced mu)depicts a womanbending on her knees and crossingher hands in front with two points onher chest symbolizing her breasts.The original meaning of 母 is anadult woman who has... IN ancient Chinese characters,母(pronounced mu)depicts a womanbending on her knees and crossingher hands in front with two points onher chest symbolizing her breasts.The original meaning of 母 is anadult woman who has given birth tochildren,i.e.a mother It was 展开更多
关键词 The Origin of Chinese characters
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